Lady Gaga Perfectly Portrays An Ordinary Young Women in "A Star Is Born"
Actor and director Bradley Cooper had a fabulous idea for his New Movie A Star Is Born, his first, but yet the fourth version of the story. It’s great to see how the great Lady Gaga appears in the movie as an ordinary girl revealing charms and simplicity.
As one of the greatest pop star in the world, Lady Gaga is revealing now a side that nobody would actually imagine she has. She endorses the role of a young woman down to earth, chasing a dream, which includes the pursuit of fame.
The film also tells the love story between a declining music star, a character played by Bradley Cooper, who discovers a rough diamond in a young artist, Lady Gaga, and brings it to fame.
The first half of A Star Is Born couldn’t be more charming. It leaves all three previous versions in the dust in the meet-cute department, largely because Gaga manages to be fresher and more believably real than Janet Gaynor, Judy Garland (who looked dissipated), and Barbra Streisand. And Cooper is delightful. Although he’s largely hidden behind a beard, long hair, and a squint, his purring bass-baritone is to swoon over. That it’s stolen from Sam Elliott makes it all the more amusing when Elliott shows up as Jackson’s much older brother and accuses Jackson of stealing his voice. - VULTURE
PS Joey’s single “Cry” turns vulnerability into something quietly absorbing, delivering a contemporary R&B single that feels intimate without ever sounding overworked. Built around chill acoustic guitar riffs, laid-back soulful drums, and silky vocals that…
Ontario-based Irish folk singer Paddy Boyle Just unveiled “The Sup: Songs about the Drink,” a debut solo album that treats alcohol not as a cheap emblem of revelry, but as folklore, confession, theatre, and residue…
Cabra and Mz settle into a beautifully blurred space on “Cruel Games,” a single that understands how to make emotional confusion sound strangely elegant. Sitting between R&B, hip-hop, and alternative rap, the track leans into a laid-back atmosphere without…
ARIA teams up with Vory to swing on “Go Up!”, a hip-hop single built for motion, impact, and immediate replay value. Framed by anthem-grade synths and punchy drums, the track wastes no time establishing its purpose: this is a statement record with…
Dutch Singer songwriter Joya Mooi doesn’t dress grief up in soft-focus clichés on “Look Alike.” She flips it into motion—warm, slightly upbeat Indie R&B that still carries weight in the pockets. The premise is gut-real: spotting your late brother…
Velour’s “It Does Me Nothing” arrives with the kind of poise that feels engineered rather than merely performed—an indie-pop miniature where lightness is a structural choice, not a mood-board accident. The French singer moves through the song as if she’s tracing clean….
Myles Lloyd treats “DMC” like a familiar room redesigned with better lighting: same footprint, sharper lines, more air between the furniture. The Montreal-based artist revisits his breakout “Drive Me Crazy” with a K-pop/R&B lens, and the rationale is baked…
Nassím plays it smart on “Tiramisu”: instead of chasing the 2000s revival wave like a tourist, he builds a little apartment inside it. The single sits in that pop R&B sweet spot—laidback, glossy, and groove-first…
Naomi August isn’t trying to reinvent indie pop on “Under Your Spell”—she’s trying to lock you into a mood and keep the door closed behind you. It’s laidback, cinematic, and built like a scene: catchy bass riffs moving with quiet confidence…
Dallas Murrae’s “I Don’t Smoke” is the kind of breakup record that avoids easy catharsis and feels stronger because of it. Working from a hybrid of indie hip-hop and country-leaning textures, Murrae builds a track that sounds loose on the surface…