Albums & EPs
Featured
A good record behaves like weather: it arrives, it lingers, and it quietly teaches you what to wear. Sloe Paul — Searching / Finding is exactly that kind of climate—nine days of pop-weather calibrated for the slow slide into autumn…
There’s a superstition that moths trust the porch light more than the moon; Meredith Adelaide’s “To Believe I’m the Sun” wonders what happens when that porch light is your own chest, humming. Across eight pieces of Indie Folk and Soft Pop parsimony…
Every scar keeps time like a metronome; on Chris Rusin’s Songs From A Secret Room, that pulse becomes melody—ten pieces of Indie Folk/Americana rendered with candlelight patience and front-porch candor. The Colorado songwriter, now three years…
There’s an old kitchen proverb that warm bread heals arguments; Otis Kane’s Love Is Alive arrives with the same oven heat—steam, sweetness, and a patience that softens the room. He tilts Neo-Soul toward sunlight, binding Contemporary R&B sheen to tactile warmth…
Old philosophers say the hardest person to be honest with is your own reflection; on PURE ILLUSION, Jhon Allan basically locks himself in a Stockholm apartment and refuses to look away from the mirror. The Swedish-Peruvian…
Every wardrobe hides one shirt that smells more of memory than detergent; Tastes Like Nostalgia operates exactly like that garment you can’t quite throw away. Under the moniker Daybreaker, singer-songwriter Chelsea Balzer turns…
Lampposts flicker on over New York as if they’re highlighters, and Amy Jay’s MNEMONICS feels like the scribbled notes they suddenly expose. Across ten songs, the indie pop architect pulls threads from rock and folk, weaving a sonic…
Picture a roadside bonfire licking a Pacific dusk—contained, glowing, and just risky enough to feel alive. That’s the temperature of Jake Cassman’s “Idling High,” a debut album that treats malaise like tinder and lights it with a dark, sidelong grin…
Certain albums arrive like a key discovered in an old coat pocket—unexpected, familiar in the hand, and suddenly unlocking rooms you thought you’d sealed. M. Byrd’s new project ”A Better Place” is that kind of key…
A warehouse light blinks once, twice, then yields to a tide of electricity—so begins “ON STEROIDS”, the debut LP from Toronto hardware duo World News, a record that breathes through cables rather than code…
A glitching neon diary cracked open at 3 a.m.—that’s what the EP project “Tales From The Modem” feels like, JulianTheGirl and Dais trading stories across fiber-optic nerves instead of notebook pages….
A proverb from nonnas and nurses alike could fit here: care is a slow craft, but it outlives spectacle. Damien McFly’s “for those who care” , an Italian folk-pop/indie-pop album whose quiet engineering…
Call it a Polaroid EP: Micae’s “For The Record” feels like a hand-warmed snapshot pulled from a coat pocket—creased, human, and stubbornly present. The Canadian singer-songwriter builds a folk miniature with nothing more than guitar and her velvety…
Like a lighthouse teaching the ocean to breathe, Avivie’s Atmos arrives as a self-titled statement of intent: dance music that meditates, meditation that moves. The four-song electronic set locates a rare balance between pulse and pause, sculpted…
A campfire flickers on the prairie while the city votes to forget—rrunnerrss, the eponymous debut by the Austin-born band rrunnerrss led by award-winning songwriter and composer Michael Zapruder, arrives as both shelter and flare…