6Lack & J. Cole Unveiled Tremendous Visuals For "Pretty Little Fears"
6lack immerses us in a beautiful love story through his new video "Pretty Little Fears" in J. Cole's company. Already the track in itself, is a beautiful poetic composition because 6lack has the gift of being able to touch the most intimate parts of the soul with rhymes in perfect synchronization with the melody used. It should be noted that this 26-year-old Baltimore native is one of the greatest talents of our generation, as is his counterpart on the beat, J. Cole.
Indeed, in the video of "Pretty Little Fears", 6lack presents the natural beauty of the black woman, by using in his video, young black women without make-up, yet of a bewildering beauty. Be aware that many fans have noticed this detail and are constantly praising 6lack for it.
Moreover, J. Cole, for his part, approaches the video in a chill way, with a verse of an incredible level. Sitting in a car, in a decor of the year 90, he starts rapping for the beautiful young lady next to him.
Basically, every detail of the video is dreaming. See for yourself.
Featured
A roof leaks from the inside first; by that law of damage and repair, Khi Infinite’s new single “HOUSE” reads like both confession and renovation permit. The Virginia native, fresh from a high-water…
Heartbreak teaches a sly etiquette: walk softly, speak plainly, and keep your ribs untangled. By that code, Ghanaian-Norwegian artist Akuvi turns “Let Me Know” into a velvet checkpoint, a chill Alternative/Indie R&B…
Call it velvet jet-lag: Michael O.’s “Lagos 2 London” taxis down the runway with a grin, a postcard of swagger written in guitar ink and pad-soft gradients. The groove is unhurried yet assured…
A Lagos evening teaches patience: traffic hums, neon blooms, and Calliemajik’s “No Way” settles over the city like warm rainfall. Producer-turned-troubadour, the Nigerian architect behind Magixx and Ayra Star’s “Love don’t cost a dime (Re-up)” now courts intimacy with quieter bravado…
Unspoken rule of Saturday nights: change your type, change the weather; on “Pretty Boys,” Diana Vickers tests that meteorology with a convertible grin and a sharpened tongue. Following the sherbet-bright comeback…
A good record behaves like weather: it arrives, it lingers, and it quietly teaches you what to wear. Sloe Paul — Searching / Finding is exactly that kind of climate—nine days of pop-weather calibrated for the slow slide into autumn…
There’s a superstition that moths trust the porch light more than the moon; Meredith Adelaide’s “To Believe I’m the Sun” wonders what happens when that porch light is your own chest, humming. Across eight pieces of Indie Folk and Soft Pop parsimony…
Every scar keeps time like a metronome; on Chris Rusin’s Songs From A Secret Room, that pulse becomes melody—ten pieces of Indie Folk/Americana rendered with candlelight patience and front-porch candor. The Colorado songwriter, now three years…
Cold seasons teach a quiet grammar: to stay, to breathe, to bear the weather. Laura Lucas’s latest single “Let The Winter Have Me,” arriving through Nettwerk, alongside her album “There’s a Place I Go,” treats that grammar as a vow…
A campfire flickers on the prairie while the city votes to forget—rrunnerrss, the eponymous debut by the Austin-born band rrunnerrss led by award-winning songwriter and composer Michael Zapruder, arrives as both shelter and flare…