Travis Scott & Drake Finally Unveil Visuals For "SICKO MODE"
Internet users have been waiting for this music video; Finally Travis Scott and his counterpart Drake unveiled the video of the track "Sicko Mode". Indeed, in the video, we see Drake walk with his dog, and behind him is a huge moon. Then there is a scene where the Canadian rapper holds a red smoke while he drops an introductory verse.
The beat changes | Then Travis Scott embarks on his charismatic verse, while he crosses the street on horseback. With scintillating grills on his teeth and a swag like no other, Travis Scott proves why he remains unquestionably one of the biggest pillars of the American Rap.
Of course, throughout the video, you'll be treated to addictive visual effects and inspiring styles.
The Beat changes again | And Drake takes the lead on a tempo at once gloomy and catchy. We observe him in a bus beside a beautiful young woman, while he immerses us in his vibrant flow. Finally Travis Scott comes to close the musical episode with a last verse poignant as that of Drake.
Stay Tuned
They say the soul weighs twenty-one grams; Giuseppe Cucé answers by asking how much memory, desire, and regret weigh when they start singing. 21 Grammi is his response—a nine-song indie-pop cycle that treats that old myth not as a scientific claim…
Old bartenders swear the sweetest cocktail always arrives with a sting; Pastels and Jessica Domingo seem to agree, bottling that exact paradox on “Sugar Lychee.” Released via Nettwerk, the collaboration between…
Sparks don’t merely fly here—they organize themselves into a beacon: Seafret has released “Signal Fire,” a Pop Rock / Electro Pop surge that feels engineered to lift a crowded chest and give it air. Serving as a…
Starlight gets re-stitched into velvet circuitry as SNACKTIME releases “God Only Knows (Beach Boys Cover)”, a re-lit classic that slips into their Contemporary R&B / Neo-Soul wardrobe without losing the original’s tender dread. The band refuses museum varnish and…
Brass-tinted thunder and velvet dissent have just been pressed into a single: Olive Jones has released “Kingdom,” a charged new offering that doubles as a flare shot from the horizon…
Pine-scented neon and tour-bus insomnia have just been distilled into song: Trip Carter has released “Green & Red,” the closing ember of his Bassman EP, and it lands like a velvet bruise you can dance with…
New calendars don’t erase old ink; they simply offer a cleaner margin where remorse can learn a different handwriting—and today Jim Gardner has released “Better Man” to write that margin in song. The Dutch-born, Berlin-based singer-songwriter…
Lightning doesn’t ask permission before it redraws the sky; it simply reveals what the dark was hiding. Estella Dawn does something similar on “You Didn’t Text Me,” a chill-yet-epic Alt Pop/Adult Contemporary cut that turns private catastrophe into high-contrast cinema…
Old lacquer cracks don’t ruin the bowl; they reveal the story—and gold can be poured into the fracture until the damage becomes design. KENTON closes his album Sweetmouth with “Let Light In,” a contemporary…
A moth will circle a streetlamp until dawn, not because the light is kind, but because it is magnetic—and Dead Internet, Cam Ezra’s 16-track plunge into electro-rap and cloud rap, behaves with that same hypnotic danger. Ezra’s world is lit by screens, paranoia…