Sparks fly the moment CAR287 release their debut, “Looking Through the Lens,” a record that remembers, argues, laughs, and stitches prairie weather into melody. The Winnipeg quartet—Jay Yarmey (vocals, acoustic guitar), Travis “Trabs” Wog (lead guitar, vocals)…
Read MoreEstella Dawn has released her song “Reckless,” a mid-tempo indie-pop/alt-pop reckoning that drives by feel and tells the truth anyway. The American singer-songwriter frames the breakup not as a verdict…
Read MoreCall it a weather report for the soul: Pēlikel’s Okay, Maybe scans the horizon, names the clouds, and stays outside long enough to be rained on. The Montreal-based Lebanese trio—Joey Semaan, Kevin Semaan, and Roy Andraos, with Mark Bitar on drums…
Read MoreFrost on a practice-room window writes better poetry than most diaries; Nabil Muquit has released his song “Augustina,” an instrumental postcard that smells faintly of winter and tape. The piece, born at a lonely piano…
Read MoreCity grit tastes sweeter when you earn it yourself as Ollie has released his song “This That,” a mid-tempo Pop-Rap/Trap spark from the forthcoming More Than Music Forever, and it moves like confidence learning to dance. Mellow guitar-tinted riffs sketch…
Read MoreScarlett Andrews has released her song “Goes Around, Comes Around,” a collaboration with East London rapper Vacatixn that tilts neo-soul toward indie hip-hop while keeping the temperature chill. The production is a measured flex: ethereal…
Read MoreCandles don’t heal; the way you breathe beside them does. On her new album project “Soul Alive,” pianist and singer-songwriter Jennifer Harper turns breath into architecture—piano motifs rising like lanterns, melodies locating their own pulse until the room remembers…
Read MoreClocks keep the minutes; the sky keeps the meaning. Ian Ewing’s EP “In the Sky” treats that axiom like a compass, a chillhop/lo-fi suite that feels both handmade and celestial—beatcraft as a form of stargazing. A self-taught…
Read MoreNeon insomnia wears a borrowed halo at 2 a.m. as the group Midnight Til Morning release “Welcome to LA,” a slow-burn confession that treats the city like a mirage you can hum. Framed as a surprise for fans, the track whispers rather than waves…
Read MoreSome nights feel sewn from static and unsent messages; Tear kim releases “I can’t do anything,” a Pop-Rock/K-Pop lullaby for those hours when even turning off the light seems like heavy machinery. The title is not melodrama but diagnosis—an ambient…
Read MoreLike a 3 a.m. voicemail you can’t bring yourself to erase, Mati releases “Hated Father,” an Ethiopian dispatch in Alternative Hip-Hop and Indie R&B that keeps its pulse low while the truth runs hot. The premise is unsentimental: a dad narrates the tug-of-war between…
Read MoreA second sunrise always throws kinder light: with his album “I’m Still Standing,” Frankie Muriel tilts the day anew, and his reimagined “If I Say” arrives like warm bourbon poured over cracked ice—Americana steady, Country-bred, and unhurried. The project’s premise…
Read MoreMexican artist Paulina Chow releases “Blue,” an indie-folk confession from Mexico that hushes the room before it speaks. The project’s name sets the temperature; the mood is chill but lucid, like ocean light slipping under a closed door…
Read MoreThey say the road is the only counselor that answers in landscapes. “Evergreen Nights,” the new collab from Dylan Owen, Watsky, Sol, and Harrison Sands, turns that truism into Pop-Rap cartography…
Read MoreStitched like sunlight through pine needles, Alexander Grandjean releases the song “Canopy Hill”—a Danish indie-folk vignette that travels light yet carries consequence. The title reads like a destination and a promise…
Read MoreGenovieve has released “National Park,” a chill indie-folk reverie that trades Brooklyn’s sirens for wind through sequoias. The track functions as a small sanctuary: fingerpicked guitar dusted…
Read MoreCall it the musician’s paradox: the more you tidy your mind, the messier the melody gets. Tamar Berk’s ocd embraces that paradox with mischievous clarity, delivering a suite of indie-rock and alt-pop miniatures where fuzzed guitars…
Read MoreLike chalk sketched on a twilight sidewalk, Sloan Treacy has released “Pavement,” a chill indie-pop confession that tiptoes between candor and camouflage. The title’s tactile grit becomes a thesis: a life spent watching for cracks…
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