Chelsea Collins Offers Her Version Of The Legendary Song “L-O-V-E”
“L-O-V-E” is a very popular song that has been entitled to different covers and remixes. Recently, Chelsea Collins unveiled her perspective of the song, titled “Used To Be”, which is quite darker than the original version. While Nat King Cole’s outlook on the song was based on falling in love, Chelsea’s view enfolds a heartbreaking story, fed with lies.
However, the production is definitely as catchy as the original. Indeed, It might be true that Chelsea’s version has a more commercial structure but the most important is that the composition is filled with emotion and charisma.
Moreover, the video is well orchestrated, especially thanks to Chelsea's acting skills. She really showcases the psychotic persona, that women often display, after facing betrayal. You'll indubitably be entertained by this masterpiece. Without further ado, watch the clip below.
TRENDING NOW
roman’s “Lifetime” constructs grief from the spaces between words. The Blackpool artist places tender guitar riffs, ethereal strings, atmospheric pads, and restrained alt-pop drums around a yearning, raspy vocal that feels…
Sacramento-based singer-songwriter Billy Stuart takes listeners through an emotionally turbulent yet understated musical journey with his debut solo EP, Sink With Me. The five-track project represents an intriguing artistic departure from Stuart's longstanding involvement in Northern California's hardcore punk and doom metal scenes…
Wilmington-raised, Atlanta-based rapper Jimmy B Fearless brings an intriguing combination of introspection, nostalgia, and lyrical bravado to his latest album, The Love Is Real 2: Fortuna. Released on October 16, 2026, the ambitious project unfolds as a deeply personal exploration of fortune, sacrifice, family, and…
Cloudy June’s “Little Black Dress” is built around tension between polish and abrasion. The Berlin-based artist anchors the track in rumbling drums and a bold, textured bassline, then layers glassy guitar riffs over the top with just enough grit to keep the surface from…
There is a particular loneliness in leaving a crowded room while your heart is already walking toward someone who never quite chose you. Roisin McCarney captures that ache beautifully on “I’ve Got It Bad,” a piano-led alt-pop single that moves through the blurred nightlife of an unresolved situationship. Warm keys open…
Loyalty sounds different when the pressure is real and the room starts thinning out. XHOSEN and Vince & The Valholla Empire tap into that tension on “Right Path,” a laidback Hip-Hop and PluggnB collaboration built around brotherhood, survival, and knowing when walking alone is safer than forcing company…
Buu E. Radley uses Millennial Fever to revisit a version of Hip-Hop built on groove, character, and lyrical presence. The 15-track American album leans heavily into boom bap and vintage West Coast rap, drawing…
Distance has a funny way of making people poetic when showing up would have been easier. Julia Gartha gets straight into that contradiction on “Not In The Room,” the focus track from her latest EP California’s Killing Me. The American artist builds the alt-pop cut around prominent, slightly reverbed drums that give the record a loose..
There are moments when exhaustion does not arrive loudly; it settles into the body like evening light, soft but impossible to ignore. Baylee Littrell captures that quiet collapse on “I’ve Had Enough,” an alternative R&B single that trades dramatic excess for intimacy and restraint…
CONNECT WITH US
Love rarely follows a predictable trajectory. Sometimes, it arrives unexpectedly, disappears without explanation, or lingers long enough to transform our understanding of ourselves. American singer-songwriter Jessie Altman explores these emotional intricacies on her sophomore album, Lovelight, a twelve-track collection…