Drake Is Suing a Woman Who Claims That He Raped Her And Got her Pregnant.
This story goes back to last year, a certain Layla Lace had claimed to be pregnant by the Canadian rapper a few days after the revelations of TMZ, announcing the fatherhood of Drake on the Sophie Brussaux’s baby.
Given that Layla was refusing to go through a paternity test on the child she gave birth to, a few months ago, the young woman changed tactics and claims today to have been raped by the singer. In response, Drake decided to file a lawsuit against her, as can be seen in documents published by TMZ, for civil extortion, emotional distress, fraud, defamation, and abuse of process.
In the complaint, Drake says he met the young woman at one of his concerts in Manchester, UK. He added that he had "returned to his hotel with her", where she would have "voluntarily and happily given him a blowjob".
Drake later confirms that the young groupie has created an "imaginary relationship" with him. To prove his point, he has attached to his complaint a series of SMS exchanges in which Layla Lace states she misses him. Even though, he tells her, at first, that he hopes to see her soon, Adonis's dad stopped quite quickly to talk to her, explaining that he does not have "the time and the energy to answer". According to him, this would have been the trigger that caused Layla Lace to take revenge.
In May 2017, the young woman refused to take a DNA test to confirm her comments. However, Drake's lawyer said, "There is no credible evidence of a pregnancy or a baby that should have been born last fall."
In an interview released 17 months ago, the young woman speaks more of her romance with the Canadian star.
Molly Valentine’s “Mannequin” arrives with the kind of debut confidence that feels fully imagined rather than merely promising. The UK artist introduces herself through a piece of alt-pop theatre that is lush, dark, and emotionally poised, balancing…
Kiki Rowe’s “Fool” lands with the kind of smooth confidence that doesn’t need to raise its voice to be heard. The Mississauga native has been building a reputation as a true double threat—equally comfortable shaping a song from the writing…
Alva Lys’ “Dancing with my Shadow” moves the way late-night thoughts do—soft around the edges, but strangely precise in how they land. Framed as alternative pop with a laidback pulse, the single carries…
Bor Luos turns a deeply personal idea into something warmly universal on “PARADOX,” a single that balances laidback charm with genuine emotional weight. Blending alternative pop and indie R&B, the track moves with an easy, feel-good…
A midnight engine does not roar; it purrs, hypnotizes, and persuades the road to disappear beneath it. That is the strange, nocturnal magic Adam Bogdan brings to “Omega Soul EP,” a project that moves with the confidence of underground dance…
Soul Filter’s “Letters To Myself” is the kind of single that wears its vulnerability plainly and turns that honesty into its strongest feature. Coming out of Summerside, PEI, the band leans into a familiar late-90s alternative spirit while giving it a cleaner…
Certain songs earn their strength not by raising their voice, but by refusing to bend beneath disappointment. Georgie Najar’s “Whatever” carries that kind of quiet resolve, arriving as a laid-back blend of folk pop and alt-pop that turns private frustration into something coolly self-possessed. The New York singer-songwriter has built….
Hope often arrives with less fanfare than despair, yet it can sound far more persuasive when carried by conviction. Matt Hansen’s “Vision” leans into that idea with an energised blend of folk pop and adult contemporary clarity, offering a song that…
Mista-Ree, J.O.Y., and Cherry Blaster come together on “Blue Avenue Pt. II” with the kind of chemistry that makes a groove feel instantly lived-in. Framed by alternative funk and disco-R&B, the track leans into movement without sacrificing polish…
A cracked bell can still summon the whole village; its beauty simply arrives with a bruise in the tone. David Hobbes’ “Tomorrow Man (EP)” kind of carries that same lived-in resonance — not immaculate, not overly perfumed, but strangely persuasive because of its imperfections…