A clean ending is easy to describe and hard to earn; most relationships dissolve in the messy middle, where attachment lingers even as the shape of love changes. Matt Hansen builds SOMEWHERE IN BETWEEN around that exact problem…
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Joy is a muscle, and Starwolf are clearly in the gym on “Dance With You,” a disco-electro dance single that swings its elbows wide and dares the room not to move. The track lands with that classic 80s/90s “music-in-full-color” energy…
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A compass doesn’t panic when north feels complicated—it simply keeps pointing, even while the sky argues with itself. Haven West Veraguas seems to share that stubborn instinct on The Black and White EP, a 7-song Alternative Folk dispatch that treats
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Like a streetlight caught in mist, “Ways” glows without shouting—soft, steady, and quietly persistent. On this indie R&B single, 92elm sketches intimacy as something half-seen: two people moving through the same room yet missing each other…
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A calendar can look like a trophy case until you notice how little air it leaves you to breathe. Natalie Reigo introduces that quiet panic on “Till the Moment’s Gone,” an electro-pop/alt-pop single that folds soulful R&B undertones into a sleek, warm finish. Her delivery…
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Neon memories don’t need a big speech—sometimes they just need the right chorus at the right speed. On “COMPASS,” Matt Hansen frames devotion as a steadying force, packaging…
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A moth will circle a streetlamp until dawn, not because the light is kind, but because it is magnetic—and Dead Internet, Cam Ezra’s 16-track plunge into electro-rap and cloud rap, behaves with that same hypnotic danger. Ezra’s world is lit by screens, paranoia…
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They say the soul weighs twenty-one grams; Giuseppe Cucé answers by asking how much memory, desire, and regret weigh when they start singing. 21 Grammi is his response—a nine-song indie-pop cycle that treats that old myth not as a scientific claim…
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Old bartenders swear the sweetest cocktail always arrives with a sting; Pastels and Jessica Domingo seem to agree, bottling that exact paradox on “Sugar Lychee.” Released via Nettwerk, the collaboration between…
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Sparks don’t merely fly here—they organize themselves into a beacon: Seafret has released “Signal Fire,” a Pop Rock / Electro Pop surge that feels engineered to lift a crowded chest and give it air. Serving as a…
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Starlight gets re-stitched into velvet circuitry as SNACKTIME releases “God Only Knows (Beach Boys Cover)”, a re-lit classic that slips into their Contemporary R&B / Neo-Soul wardrobe without losing the original’s tender dread. The band refuses museum varnish and…
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Brass-tinted thunder and velvet dissent have just been pressed into a single: Olive Jones has released “Kingdom,” a charged new offering that doubles as a flare shot from the horizon…
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Pine-scented neon and tour-bus insomnia have just been distilled into song: Trip Carter has released “Green & Red,” the closing ember of his Bassman EP, and it lands like a velvet bruise you can dance with…
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New calendars don’t erase old ink; they simply offer a cleaner margin where remorse can learn a different handwriting—and today Jim Gardner has released “Better Man” to write that margin in song. The Dutch-born, Berlin-based singer-songwriter…
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Lightning doesn’t ask permission before it redraws the sky; it simply reveals what the dark was hiding. Estella Dawn does something similar on “You Didn’t Text Me,” a chill-yet-epic Alt Pop/Adult Contemporary cut that turns private catastrophe into high-contrast cinema…
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Old lacquer cracks don’t ruin the bowl; they reveal the story—and gold can be poured into the fracture until the damage becomes design. KENTON closes his album Sweetmouth with “Let Light In,” a contemporary…
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Dawn teaches a quiet doctrine: even the sea, after being bruised by night, returns to the shore with silver-lipped insistence. Lorlyn Sage seems to have borrowed that lesson for “Limitless,” a chill-yet-epic Folk Pop debut statement from a Seychelles-born…
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Krazio has released “Okay!”, and it lands like a neon grin stitched onto a bruise—bright, kinetic, but quietly diagnostic. Built on modern hip-hop architecture, the track rides an assertive 808 spine while synth pads…
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