Olive Jones Unveils “Kingdom,” a Lo-Fi Political Anthem from Upcoming Debut Album For Mary
Brass-tinted thunder and velvet dissent have just been pressed into a single: Olive Jones has released “Kingdom,” a charged new offering that doubles as a flare shot from the horizon of her forthcoming debut album, For Mary (arriving March 13th via Nettwerk). The track moves with Adult Contemporary poise, yet it carries an epic undertow—less “anthem” in the stadium sense than anthem as moral posture, steadying the spine. A catchy bass line prowls with quiet authority, electric guitar riffs glint like streetlight on wet pavement, and indie lo-fi drums keep time with a controlled, almost cinematic restraint. Over it all, Jones’ velvety lo-fi vocal delivery arrives like smoke through a cracked door: intimate, resolute, and deliberately unglamorous in its truth-telling.
Lyrically, “Kingdom” is political without becoming pamphlet—an accusatory portrait of power as performance, “dripping in gold” while “wearing your lies” with the brazen ease of someone convinced the audience will applaud the costume. Jones roots the song’s anger in the emotional debris of Brexit, aiming her words at the swaggering architect of division, and the writing keeps its blade sharpened: shiny surfaces, rotten interiors, a “kingdom” that has died even as it flaunts its crown. The hook’s momentum—“Go go… get us out of this hole”—feels like a crowd learning to breathe together again, not through naïve optimism, but through collective refusal. As a listening experience, it’s strangely cathartic: chill enough to sink into, fierce enough to unsettle you, leaving the body calm while the mind bristles—alert, appraising, and quietly determined to reclaim common ground from the ruins of spectacle.
Enjoyed the read? Consider showing your support by leaving a tip for the writer
TRENDING NOW
Sparks don’t merely fly here—they organize themselves into a beacon: Seafret has released “Signal Fire,” a Pop Rock / Electro Pop surge that feels engineered to lift a crowded chest and give it air. Serving as a…
Starlight gets re-stitched into velvet circuitry as SNACKTIME releases “God Only Knows (Beach Boys Cover)”, a re-lit classic that slips into their Contemporary R&B / Neo-Soul wardrobe without losing the original’s tender dread. The band refuses museum varnish and…
Brass-tinted thunder and velvet dissent have just been pressed into a single: Olive Jones has released “Kingdom,” a charged new offering that doubles as a flare shot from the horizon…
Pine-scented neon and tour-bus insomnia have just been distilled into song: Trip Carter has released “Green & Red,” the closing ember of his Bassman EP, and it lands like a velvet bruise you can dance with…
New calendars don’t erase old ink; they simply offer a cleaner margin where remorse can learn a different handwriting—and today Jim Gardner has released “Better Man” to write that margin in song. The Dutch-born, Berlin-based singer-songwriter…
Lightning doesn’t ask permission before it redraws the sky; it simply reveals what the dark was hiding. Estella Dawn does something similar on “You Didn’t Text Me,” a chill-yet-epic Alt Pop/Adult Contemporary cut that turns private catastrophe into high-contrast cinema…
Old lacquer cracks don’t ruin the bowl; they reveal the story—and gold can be poured into the fracture until the damage becomes design. KENTON closes his album Sweetmouth with “Let Light In,” a contemporary…
Dawn teaches a quiet doctrine: even the sea, after being bruised by night, returns to the shore with silver-lipped insistence. Lorlyn Sage seems to have borrowed that lesson for “Limitless,” a chill-yet-epic Folk Pop debut statement from a Seychelles-born…
Krazio has released “Okay!”, and it lands like a neon grin stitched onto a bruise—bright, kinetic, but quietly diagnostic. Built on modern hip-hop architecture, the track rides an assertive 808 spine while synth pads…
Old bartenders swear the sweetest cocktail always arrives with a sting; Pastels and Jessica Domingo seem to agree, bottling that exact paradox on “Sugar Lychee.” Released via Nettwerk, the collaboration between…