UK Artist - Sam Seccombe - Releases “Crocodile Tears" Today
Today, Sam Seccombe blesses us with his soulful, powerful and ever beautiful vocals. Crocodile Tears is his newest slow ballad, with steady guitar melodies and effortless vocals that will make your heart skip a beat.
Crocodile Tears is a reflection of a break-up, Sam’s attempt to escape his anger and bitterness. Essentially, this was his way of processing his emotions and moving on from the hurt he had felt.
The song is perfect to listen to whenever you need to take a minute to collect yourself. So go listen to Crocodile Tears on all streaming platforms and support this talented rising star.
TRENDING NOW
PS Joey’s single “Cry” turns vulnerability into something quietly absorbing, delivering a contemporary R&B single that feels intimate without ever sounding overworked. Built around chill acoustic guitar riffs, laid-back soulful drums, and silky vocals that…
Ontario-based Irish folk singer Paddy Boyle Just unveiled “The Sup: Songs about the Drink,” a debut solo album that treats alcohol not as a cheap emblem of revelry, but as folklore, confession, theatre, and residue…
Cabra and Mz settle into a beautifully blurred space on “Cruel Games,” a single that understands how to make emotional confusion sound strangely elegant. Sitting between R&B, hip-hop, and alternative rap, the track leans into a laid-back atmosphere without…
ARIA teams up with Vory to swing on “Go Up!”, a hip-hop single built for motion, impact, and immediate replay value. Framed by anthem-grade synths and punchy drums, the track wastes no time establishing its purpose: this is a statement record with…
Dutch Singer songwriter Joya Mooi doesn’t dress grief up in soft-focus clichés on “Look Alike.” She flips it into motion—warm, slightly upbeat Indie R&B that still carries weight in the pockets. The premise is gut-real: spotting your late brother…
Velour’s “It Does Me Nothing” arrives with the kind of poise that feels engineered rather than merely performed—an indie-pop miniature where lightness is a structural choice, not a mood-board accident. The French singer moves through the song as if she’s tracing clean….
Myles Lloyd treats “DMC” like a familiar room redesigned with better lighting: same footprint, sharper lines, more air between the furniture. The Montreal-based artist revisits his breakout “Drive Me Crazy” with a K-pop/R&B lens, and the rationale is baked…
Nassím plays it smart on “Tiramisu”: instead of chasing the 2000s revival wave like a tourist, he builds a little apartment inside it. The single sits in that pop R&B sweet spot—laidback, glossy, and groove-first…
Naomi August isn’t trying to reinvent indie pop on “Under Your Spell”—she’s trying to lock you into a mood and keep the door closed behind you. It’s laidback, cinematic, and built like a scene: catchy bass riffs moving with quiet confidence…
Dallas Murrae’s “I Don’t Smoke” is the kind of breakup record that avoids easy catharsis and feels stronger because of it. Working from a hybrid of indie hip-hop and country-leaning textures, Murrae builds a track that sounds loose on the surface…