UK Artist - Sam Seccombe - Releases “Crocodile Tears" Today

 

Today, Sam Seccombe blesses us with his soulful, powerful and ever beautiful vocals. Crocodile Tears is his newest slow ballad, with steady guitar melodies and effortless vocals that will make your heart skip a beat.

Crocodile Tears is a reflection of a break-up, Sam’s attempt to escape his anger and bitterness. Essentially, this was his way of processing his emotions and moving on from the hurt he had felt.

The song is perfect to listen to whenever you need to take a minute to collect yourself. So go listen to Crocodile Tears on all streaming platforms and support this talented rising star.

TRENDING NOW

Featured
rrunnerrss plant a lighthouse at the edge with their self-titled debut, out February 6, 2026 via Howells Transmitter Records.
rrunnerrss plant a lighthouse at the edge with their self-titled debut, out February 6, 2026 via Howells Transmitter Records.

A campfire flickers on the prairie while the city votes to forget—rrunnerrss, the eponymous debut by the Austin-born band rrunnerrss led by award-winning songwriter and composer Michael Zapruder, arrives as both shelter and flare…

Read More →
Khi Infinite opens the door to accountability on “HOUSE,” a calm, blueprint-bright single.
Khi Infinite opens the door to accountability on “HOUSE,” a calm, blueprint-bright single.

A roof leaks from the inside first; by that law of damage and repair, Khi Infinite’s new single “HOUSE” reads like both confession and renovation permit. The Virginia native, fresh from a high-water…

Read More →
Akuvi draws a velvet boundary on “Let Me Know,” a Rhodes-lit alt/indie R&B exhale built for calm clarity.
Akuvi draws a velvet boundary on “Let Me Know,” a Rhodes-lit alt/indie R&B exhale built for calm clarity.

Heartbreak teaches a sly etiquette: walk softly, speak plainly, and keep your ribs untangled. By that code, Ghanaian-Norwegian artist Akuvi turns “Let Me Know” into a velvet checkpoint, a chill Alternative/Indie R&B…

Read More →
Michael O. charts a visa-free love lane on “Lagos 2 London,” a smooth Afrobeats postcard between two capitals.
Michael O. charts a visa-free love lane on “Lagos 2 London,” a smooth Afrobeats postcard between two capitals.

Call it velvet jet-lag: Michael O.’s “Lagos 2 London” taxis down the runway with a grin, a postcard of swagger written in guitar ink and pad-soft gradients. The groove is unhurried yet assured…

Read More →
From Magixx & Ayra Starr Sonic architect to troubadour, Calliemajik unveils the tender single “No Way.”
From Magixx & Ayra Starr Sonic architect to troubadour, Calliemajik unveils the tender single “No Way.”

A Lagos evening teaches patience: traffic hums, neon blooms, and Calliemajik’s “No Way” settles over the city like warm rainfall. Producer-turned-troubadour, the Nigerian architect behind Magixx and Ayra Star’s “Love don’t cost a dime (Re-up)” now courts intimacy with quieter bravado…

Read More →
Diana Vickers swaps sting for swing on “Pretty Boys,” a chrome-bright dance-pop pivot.
Diana Vickers swaps sting for swing on “Pretty Boys,” a chrome-bright dance-pop pivot.

Unspoken rule of Saturday nights: change your type, change the weather; on “Pretty Boys,” Diana Vickers tests that meteorology with a convertible grin and a sharpened tongue. Following the sherbet-bright comeback…

Read More →
Sloe Paul turns patience into pop on Searching / Finding, a nine-song shelter for the slow slide into autumn.
Sloe Paul turns patience into pop on Searching / Finding, a nine-song shelter for the slow slide into autumn.

A good record behaves like weather: it arrives, it lingers, and it quietly teaches you what to wear. Sloe Paul — Searching / Finding is exactly that kind of climate—nine days of pop-weather calibrated for the slow slide into autumn…

Read More →
Meredith Adelaide finds strength in softness on “To Believe I’m the Sun,” a dusk-lit Indie Folk/Soft Pop confession.
Meredith Adelaide finds strength in softness on “To Believe I’m the Sun,” a dusk-lit Indie Folk/Soft Pop confession.

There’s a superstition that moths trust the porch light more than the moon; Meredith Adelaide’s “To Believe I’m the Sun” wonders what happens when that porch light is your own chest, humming. Across eight pieces of Indie Folk and Soft Pop parsimony…

Read More →
Chris Rusin turns recovery into resonance on New Album “Songs From A Secret Room.”
Chris Rusin turns recovery into resonance on New Album “Songs From A Secret Room.”

Every scar keeps time like a metronome; on Chris Rusin’s Songs From A Secret Room, that pulse becomes melody—ten pieces of Indie Folk/Americana rendered with candlelight patience and front-porch candor. The Colorado songwriter, now three years…

Read More →
Laura Lucas lets the season speak on “Let The Winter Have Me,” a mid-tempo indie-folk vow from her album "There’s a Place I Go"
Laura Lucas lets the season speak on “Let The Winter Have Me,” a mid-tempo indie-folk vow from her album "There’s a Place I Go"

Cold seasons teach a quiet grammar: to stay, to breathe, to bear the weather. Laura Lucas’s latest single “Let The Winter Have Me,” arriving through Nettwerk, alongside her album “There’s a Place I Go,” treats that grammar as a vow…

Read More →
 

CONNECT WITH US

Submit Music

FEATURED

Featured
Discovery: Five (5) Singles To Enlighten Your Week-end
Discovery: Five (5) Singles To Enlighten Your Week-end
Discoveries Of The Month.
Discoveries Of The Month.
Discoveries Of March 2020
Discoveries Of March 2020
Top February Discoveries
Top February Discoveries
10 Canadian Songs To Discover This Week—End
10 Canadian Songs To Discover This Week—End
Contemporary R&B, Written By Samme G.Sam Gainesuraniumwaves, Uranium Music, Uranium Waves, Uranium Weekly, Uranium music, uwaves music, canada music, canada artists, canada blog, canada music blog, Canadian Band, UK Artist, Sam Seccomb, Music Discovery BlogComment