Lauren Dair Releases A New Love Song “Ceiling Tiles”
This new release is all about falling in love for the first time. Every romantic lyric is perfectly paired with soothing, sensual beats. 21-year old artist, Lauren Dair, was born in Anchorage, Alaska USA and is known for her theatrical productions and for being a hopeless romantic. This truly is a love song that is perfect for those picture-perfect love scenes in a movie. Fun fact, when Lauren was 12 years old, she played Young Jess on the hit FOX show “New Girl”. In regards to this new single, Lauren says:
“’Ceiling Tiles’ is a very different type of song for me. I was so used to writing about heartbreak and dating woes. I had never really written a love song. At the time, I was very, very single but I wanted to write about how wonderful, yet simultaneously terrifying, I thought falling in love would be like. I love movies and film, so I wanted to make it sound like something that would play over a montage of the main character in a coming of age film falling in love for the first time.”
TRENDING NOW
David Cloyd avoids treating momentum like a given, which is why the latest EP “Cage of Water (Remixes)” lands with purpose rather than polish-for-polish’s-sake. After the long-gap return of Red Sky Warning via…
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
DAX’s “Temptation” is a tight junction between American country, indie Rock and hip-hop, built for clarity rather than gimmick. An acoustic riff sets the spine—unfussy, slightly dusty, meant to loop without losing its nerve. Beneath it, the drum-work…