KING delivers a Caliente flavored Pop Electronic Song "Mango"
KING plunges us into a summer musical universe with her latest single entitled "Mango". Indeed, by merging both electronic pop, a good dose of caliente flavor, the production of "Mango" oozes a vibrant energy perfect for dancing parties. Moreover, the intoxicating performance of KING, worthy of a superstar, adds a scintillating character to the whole composition. It should be noted that the young artist of Cuban origin, was inspired by her culture to deliver a beautiful opus to the public. She explains that the term "mango" is actually used in Cuba to designate an attractive man.
“In Cuba, a hot guy is often called a ‘mango’. I’ve been wanting to make a record that celebrates my Cuban heritage for a while now, so when I hooked up with one of my writers and he played me this melody, the line “tu eres mi mango” just came into my head and the song wrote itself from there. I had to fight hard to get this record made, and I can’t wait to share it with you.”
- KING -
Mango, a song by KING on Spotify
David Cloyd avoids treating momentum like a given, which is why the latest EP “Cage of Water (Remixes)” lands with purpose rather than polish-for-polish’s-sake. After the long-gap return of Red Sky Warning via…
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
DAX’s “Temptation” is a tight junction between American country, indie Rock and hip-hop, built for clarity rather than gimmick. An acoustic riff sets the spine—unfussy, slightly dusty, meant to loop without losing its nerve. Beneath it, the drum-work…