Mak Ro Delivers Sultry, Groove-Filled R&B Vibes in New Single “Backroom”
A lush atmosphere evocative of SZA’s textured R&B flavoring lingers at every nook and cranny on the single “Backroom” — the latest groove on the menu from American-based duo Mak Ro. This sumptuous track glides across an indelible bass line that carves a cheeky undercurrent, prompting listeners to acquiesce to the siren call of soul-charged melodies. Their velvety, soaky vocals coil around the tune, lending each verse an air of cool confidence and playful intrigue.
Lyrically, “Backroom” is a toast to taking risks and temporary connections in hidden spots, giving casual flirtation, a twist of power. Indeed, the hush-hush narrative frames every whispered sentiment with an riveting sense of riddle, all tethered to a grounded, if vaguely hypnotic, production style. Its pop-soul underpinnings elevate the arrangement almost as a natural matter, enticing the listener to sway along to its sultry thrum. Mak Ro’s vocal tone is calming yet electric, underscoring lyrics that suggest indulging in hidden pockets of desire.
That heady combination of R&B slickness and unflappable evokes an imagery of neon-soaked dance floors, where out-of-sight souls move to the rhythm of clandestine strobe lights. The momentum builds slowly, but the propulsion never outruns the lush flow — every detail, from the chime-like percussion to the simmering background harmonies, is given space to sparkle. With its amalgamation of unfiltered expression and thrilling musicality, “Backroom” embodies modern groove. “We Love Where Shield Came From, We Love The Sound Of The Album, But Most Of All We Love The Disciplined Thrill That Mak Ro Pulled Off Right Here.” One playful and irresistible invitation to enter fascination.
TRENDING NOW
A roof leaks from the inside first; by that law of damage and repair, Khi Infinite’s new single “HOUSE” reads like both confession and renovation permit. The Virginia native, fresh from a high-water…
Heartbreak teaches a sly etiquette: walk softly, speak plainly, and keep your ribs untangled. By that code, Ghanaian-Norwegian artist Akuvi turns “Let Me Know” into a velvet checkpoint, a chill Alternative/Indie R&B…
Call it velvet jet-lag: Michael O.’s “Lagos 2 London” taxis down the runway with a grin, a postcard of swagger written in guitar ink and pad-soft gradients. The groove is unhurried yet assured…
A Lagos evening teaches patience: traffic hums, neon blooms, and Calliemajik’s “No Way” settles over the city like warm rainfall. Producer-turned-troubadour, the Nigerian architect behind Magixx and Ayra Star’s “Love don’t cost a dime (Re-up)” now courts intimacy with quieter bravado…
Unspoken rule of Saturday nights: change your type, change the weather; on “Pretty Boys,” Diana Vickers tests that meteorology with a convertible grin and a sharpened tongue. Following the sherbet-bright comeback…
A good record behaves like weather: it arrives, it lingers, and it quietly teaches you what to wear. Sloe Paul — Searching / Finding is exactly that kind of climate—nine days of pop-weather calibrated for the slow slide into autumn…
There’s a superstition that moths trust the porch light more than the moon; Meredith Adelaide’s “To Believe I’m the Sun” wonders what happens when that porch light is your own chest, humming. Across eight pieces of Indie Folk and Soft Pop parsimony…
Every scar keeps time like a metronome; on Chris Rusin’s Songs From A Secret Room, that pulse becomes melody—ten pieces of Indie Folk/Americana rendered with candlelight patience and front-porch candor. The Colorado songwriter, now three years…
Cold seasons teach a quiet grammar: to stay, to breathe, to bear the weather. Laura Lucas’s latest single “Let The Winter Have Me,” arriving through Nettwerk, alongside her album “There’s a Place I Go,” treats that grammar as a vow…
A campfire flickers on the prairie while the city votes to forget—rrunnerrss, the eponymous debut by the Austin-born band rrunnerrss led by award-winning songwriter and composer Michael Zapruder, arrives as both shelter and flare…