Get Caught Up On Paces’ New Release “Back Around” ft. Sarah Saint James
Australian artist, PACES, a.k.a. Mikey Perry’s, new hit is heavily addicting. The fluid pop beats sparkle through the speakers and fill your body with feel-good vibrations. If you like the song, wait until you see this creative artist live! He fills the stage with talented dancers, and mesmerizing lights and visual. Sarah Saint James adds in her pristine pop vocals to really top off this new track. Here’s a few words on Sarah’s experience working with PACES and be sure to check out the new release below-
“Working with Paces has been such an awesome experience, he’s so easy & fun to work with so it was really great to finally to get a song out together officially!”
TRENDING NOW
David Cloyd avoids treating momentum like a given, which is why the latest EP “Cage of Water (Remixes)” lands with purpose rather than polish-for-polish’s-sake. After the long-gap return of Red Sky Warning via…
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
DAX’s “Temptation” is a tight junction between American country, indie Rock and hip-hop, built for clarity rather than gimmick. An acoustic riff sets the spine—unfussy, slightly dusty, meant to loop without losing its nerve. Beneath it, the drum-work…