Breaking Through To New Sensations With CM Young’s New Hit “TONIGHT (I’m Here)”
Delivering it all, with a mixture of pop, rap, and rock, this song can accompany anything from a wild party and match the intensity of your workout. The exhilarating production offers an igniting chorus and an empowering message that radiates feelings of hope and joy. Each part of the liberating song will surprise you with a genre mash-up twist. In regards to the making of the new track, CM Young states,
“TONIGHT is a song for all of us who have been slowly getting out of the life COVID-19 has given us due to the hook, “I made it out I’m here”. It’s a breakthrough song from staying inside and getting back to our lives again.”
TRENDING NOW
David Cloyd avoids treating momentum like a given, which is why the latest EP “Cage of Water (Remixes)” lands with purpose rather than polish-for-polish’s-sake. After the long-gap return of Red Sky Warning via…
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
DAX’s “Temptation” is a tight junction between American country, indie Rock and hip-hop, built for clarity rather than gimmick. An acoustic riff sets the spine—unfussy, slightly dusty, meant to loop without losing its nerve. Beneath it, the drum-work…