Ottawa Based Singer Peter Jessy, Often, "Plays Pretend" To Blend In.
Peter Jessy
Play Pretend
Pretend to please is something that we often linger on to infiltrate a group of friends or to motivate our ego. So, we can very well identify with the beautiful and sweet musical track "Play Pretend" of the talented young Canadian singer Peter Jessy since he puts the emphasis on a personal experience that has led him to endorse a mask.
It is through a touching vocal performance and a relaxing instrumental that this young artist from New Brunswick, Canada, immerses us in a pampering musical fable. Indeed, from the story behind the track, it seems that it's often difficult for Peter to show his true personality, so he pretends that everything is fine and continues to move while retaining his ideals. Thus, the track "Play Pretend" is a sincere means for Peter to lower his mask and confide in his audience on a very unique composition.
Savor the track below
B Soulo uses DURAGS THE SUN to reconnect Hip-Hop with the pleasure of language. The 12-track American Hip-Hop and Soul album is upbeat in movement, nostalgic in construction, and noticeably invested in bars that carry actual shape. Following his transition from Blac Kami to B Soulo, the project feels like a…
ALBI. designs “HEARTBEAT” around propulsion. The Brisbane/Meanjin artist layers syncopated synths, distorted bass, and punchy drums into an alt-pop structure that feels engineered for movement, while her crunchy, soaring vocal adds a roughened edge to the song’s otherwise polished momentum. Produced by Song Higginson, the track…
Belz structures “Make Up Your Mind” around emotional whiplash. The American artist begins with tender guitar riffs, gentle pads, ethereal strings, and a velvety vocal that feels exposed enough to make the uncertainty almost tactile. From there, the production gradually shifts into a brighter, more commercial frame…
DJ Agile knows how to make a groove walk into the room before anybody says a word, and “Off Top” moves with that kind of confidence. The Toronto producer links with Leila Dey for a upbeat electro-R&B and Hip-Hop cut that pulls ATL bass energy into a cooler Toronto frame…
A candlelit room can feel romantic until you notice the door has been locked from the outside. Devon Morris plays with that exact shift in perception on “Let’s Talk,” an alt-pop single that begins in softness and gradually turns that softness against the listener. Warm piano keys, tender acoustic guitar riffs, and ethereal strings…
YSSY’s “Crystallize” turns repetition into atmosphere. The Canadian duo builds the track from ethereal synths, glassy electronic textures, floating bass, and poignant vocals that seem to hover just above the arrangement. Rather than chasing a large pop payoff, the production moves in circles, using…
Grief can resemble standing at the edge of a shoreline after a storm, recognizing everything that remains while quietly counting what the water carried away. Canadian singer-songwriter Justin Meli enters that fragile landscape on “Wreckage,” an intimate indie-folk piece where addiction, loss, and helpless devotion overlap without…
Firerose turns “Phoenix” into a survival anthem without losing the sleekness of modern electro-pop. The American artist builds the track around syncopated plucks, bright synth lines, atmospheric pads, and upbeat drums that nod toward the polished pop energy…
There is a particular dignity in leaving without pretending the love meant nothing. Australian artist Rowe captures that distinction on “I’m Not Sorry,” a neo-soul and R&B single that treats vulnerability not as weakness, but as evidence of emotional courage. Piano carries the song’s central weight, surrounded by soft pads…
Wendy Bruner and Christopher Grundy construct “Toward Shalom” around warmth rather than spectacle, allowing its ideas of belonging, completeness, and social acceptance to develop inside an intentionally unvarnished frame. Written by Bruner and Monty Jackson and produced…