Conan Gray Shares His Single Life In New Single "Crush Culture"
"Crush Culture" is the beautiful musical orchestration offered by 19-year-old New Yorker Conan Gray. First of all, the track is undeniably a delight for the ears and the story behind the lyrics is truly inspiring. In other words, Conan uses his experience as a single to tell us how much he wants to be involve with love and relationship. He explains it even in these words:
“I wrote ‘Crush Culture’ for my fellow heartbroken single people. I've been single for all of my 19 years of my life—haven't even had my first kiss yet! Meanwhile, all of my friends have burned through several heart-throbbing, mushy-gushy, morbidly loving relationships; all while I watched longingly from the sidelines. Eventually, I’d just gotten so sick of watching everyone around me being in love. It's gotten to a point where when I see people who are in love, I get so bitter from my lack of love that I just want to destroy every relationship in sight (hence the music video of me ruining people’s dates). Since I can't be in love, no one can—that was my logic. I wanted to write a song for the loveless, thus ‘Crush Culture’ was born.”
Indeed, to better illustrate the track, Conan personally envisioned a cinematic music video which was Premiere by FADER. The clip sees our lovelorn and scorned hero ruin a series of dates at his high school in hilarious fashion. Enjoy the song below.
Crush Culture, a song by Conan Gray on Spotify
TRENDING NOW
From time to time, a song feels like a screenshot of bad decisions you haven’t made yet; for Savanna Leigh, “Nothing Yet” is that prophetic snapshot. Built on soft, chiming piano and a mid-tempo alt-pop pulse, the track begins with her raspy voice…
A dusk-coloured confession drifts out of Denmark and echoes through Lisbon’s old streets; “Før Du Går” finds CECILIE turning a goodbye into a slow-burning spiritual. Rooted in acoustic pop and alt-folk, the song opens bare: soft, cyclical guitar figures cradle her soulful…
Every year has one song that feels like a diary left open on the kitchen table; for Alexa Kate, “Forever” is that unguarded page. Over mid-tempo, indie-folk-kissed acoustic pop, she dissects time…
Midnight is that strange hour when the sky feels half-closed, and Hayden Calnin’s Middle Night sounds like the diary you write there. Recorded in his coastal studio, this seven-song cycle of adult contemporary, alt-pop and indie folk lingers in the quiet…
Every copyright lawyer’s worst nightmare might sound a lot like Nada UV’s Ideas Won’t Behave—three tracks of neo-soul and indie R&B that treat intellectual property as a cosmic joke rather than…
They say the soul weighs twenty-one grams; Giuseppe Cucé answers by asking how much memory, desire, and regret weigh when they start singing. 21 Grammi is his response—a nine-song indie-pop cycle that treats that old myth not as a scientific claim…
Every quarter-life crisis deserves its own hymn, and Drew Schueler’s “I Thought By Now” arrives like a confession whispered over blue light and unpaid dreams. The title track from his EP Vulnerable For Once turns the myth of linear success…
It’s a common knowledge that every lost summer has a soundtrack, and Brando’s “When You Stay” volunteers itself as the quiet anthem for the moments you replay in your head long…
Every revolution needs a bar jukebox, a desert highway, and a girl who refuses to shut up. ILUKA’s the wild, the innocent, & the raging album arrives as exactly that: a neon-lit road movie of an album where witchy cowgirls, runaway girls and manic pixie…
CONNECT WITH US
Cigarette ash and camera-flash memory conspire like mischievous archivists, and Tamar Berk has released “Indiesleaze 2005” as their newest artifact of that feral mid-2000s frequency—half glitter, half bruise. The track moves with a mid-tempo confidence that never hurries…