Back to our Roots with His His: “Home, Home” is Nostalgia Defined
Aiden Belo, the Toronto artist behind His His, really brought us back to our roots with his new release “Home, Home”. Part of his new EP ‘Garden Songs’, the song “Home, Home” is nostalgia defined. During the pandemic Aiden returned home, away from the city and back to the farm, the dirt and earth where he grew up. Ergo, with the rustic warmth of the acoustic guitar and the rich supple fullness of the electric guitar, we are transported onto the farm right next to Belo.
Away from the city, when life’s complications fall away, what’s left are the simplicities, the small things, the moments. When we stop and breathe, pause and just be, all that’s left is just what’s in front of us, what we feel and see. Belo perfectly captures this with lyrics like “hand paint on wood, sun, whistle around the bend / laundry still sets, blows, and sails in the wind”. With our senses vividly described to us, we can place ourselves directly on the farm.
The music video, like the song, strips life bare. We see the animals, the people and faces, the warmth, the sun. Filmed free-hand, we get the feeling of it being a home video.
Again, nostalgia defined.
Our favourite lyric grabs us by the heartstrings: “why did you park that car, in my head”. The cover of the single is Aiden and his dad posing on his dad’s 1981 Camero. That car, the memory, the farm, is engrained. Why certain memories are something we come back to is a mystery. Sometimes they are bizarrely chosen. There is a flavour of frustration, like we can’t escape this nostalgia and are asking “why?!”. Why do I always return to this moment, this place? Why this longing? Chasing something we can’t quite touch.
“Why did you park that car, in my head?”
At the end of the song, we find ourselves shaking our heads, feeling our hair move, singing along with His His “I wanna live, live, live, live right here.” We imagine ourselves putting our hands out and running as the guitar strums to the sound of our feet as we “feel the air”. In the video, this feeling of bliss and movement is paralleled by the gang riding their bikes. For the closing line, Belo holds the notes longer, almost as if to solidify his desire. He wants to live right there. Stay in the moment. The memory. Home. The video closes with just the sound of their bikes, which sound oddly like the rolling film of an old projector. Nostalgia defined.
MORE MUSIC
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
A breakup rarely detonates; it more often erodes—daily, quietly, and with an almost administrative cruelty. Matt Burke captures that slow collapse on Blowing Up In Slow Motion, a folk-acoustic single that takes his earlier stripped version and rebuilds…
Memory’s funny like that: it doesn’t replay the person, it replays the version of you who stood there, pretending you didn’t care. Jade Hilton comes back after nearly a year away with Carolina Blue, a chill alt-pop single that keeps the emotions…
Tension doesn’t always arrive as noise; sometimes it shows up as a calm face holding back a storm. Giovanni Vazquez leans into that quiet pressure on K MAS DA, a chill-edged single that threads Alternative R&B instincts…
A clean ending is easy to describe and hard to earn; most relationships dissolve in the messy middle, where attachment lingers even as the shape of love changes. Matt Hansen builds SOMEWHERE IN BETWEEN around that exact problem…