HIGHER: A pleasant metaphorical theatrical fiction unveiled by L.A. Based Trio HUNTER
In their latest Video "Higher", published on June 1st on Youtube, L.A. based trio HUNTR plunges us into a fictional cinematic universe mixed with a rather dramatic concept. Throughout the video, a young kid is levitated indefinitely, hypnotized and also somewhat attracted by a certain force. Then, the child finds himself in a graphically altered space, with shadows of overturned buildings, and crows flying away. Moreover, at a certain moment of the song, the rap part, the graphic scene takes a different turn. The young boy who was in full levitation finds himself in a room with plenty of power cable connected to the virtual reality headset he wears on his head. We realize that this whole scene of levitation is only the projection of what the kid perceives in his virtual reality. Finally, when the child removes his helmet, his eyes are of an abnormal color; which means he is either blind or plunged into a sort of trance.
Indeed, the design of this video is a marvel and we must congratulate the amazing work of director Brian Lipko and also encourage the artistic performance of the young Justin Kirtdoll.
Watch the video below and share your opinions.
Stream // Download - http://smarturl.it/HUNTR-HIGHER Lyrics - https://genius.com/huntr-higher-lyrics Starring: Justin Kirtdoll Director: Brian Lipko of Meanwhile LA Producers: Kyle Nolan, DeNiro Forté Director of Photography: Jack Nitz 1st Assistant Camera: Graham Cooper Production Assistant: Jesse Hendrickson Twitter: http://twitter.com/HUNTR Instagram: http://instagram.com/HUNTR Facebook: http://facebook.com/HUNTRmusic VK: http://vk.com/HUNTRmusic Twitter: https://twitter.com/MeanwhileLA Instagram: https://www.instagram.com/MeanwhileLAX
Evan Roth’s new song “Next To You” plays it smart: slow, chill indie-pop that doesn’t paint heartbreak as a show— rather, it just lets it hang in the air and do its job. The melancholic electric-guitar lines are the headline, curling around the track like smoke, while…
Flo Malley’s single “21 Grammes” moves with the hush of a dim lamp left on in the next room—warm, steady, and quietly magnetic. The track settles into a neo-soul-tinted R&B/Soul pocket where soulful guitar riffs do more than decorate; they function like soft architecture…
Gee’s song “Tu fais ça” breathes with the kind of polished ease that only feels effortless after a lot of deliberate design. Built on a groovy bassline that behaves like the song’s spine—flexible, buoyant, quietly commanding—the single taps an early-2000s R&B memory…
Boy In Space returns with “Who’s Crying When I’m Leaving?” as a meticulously balanced piece of alt-pop carpentry: light on its feet, yet engineered to carry real emotional load. The track opens on delicate acoustic guitar riffs that feel intentionally…
Joëtta’s “Waterfall” arrives with the kind of calm confidence that indie folk does best: unforced, unhurried, and quietly brave. Framed as the third glimpse into her forthcoming EP, the single feels less like a dramatic confession and more like a private vow…
TALI’s “Style” is indie pop with a bright, fashion-forward concept and the kind of bounce that makes three minutes feel like a quick change in a mirror-lit dressing room. The production opens on acoustic…
Jessica Allossery’s “BP Love” is indie folk with a careful, almost architectural sense of intimacy—built from soft guitar riffs that behave like warm timber framing, then finished with raspy vocals and harmonies that act as the insulation…
New-York based artist davidwuzhere’s “MIA” plays like a chilled indie R&B record with a tight core: soft piano keys, tender neo-soul drums, and a funky bass-line that keeps the track moving without ever breaking…
Italian singer-songwriter Giuseppe Cucè’s new single “Una Notte Infinita” sits in that specific adult-contemporary lane where restraint becomes the main drama. The track is built on soft piano keys that refuse to grandstand, padded by airy synth beds and supported…
Nza’s “Promesses” is built like a small, warm room: dim light, close air, and nothing wasted. The production leans into Afrobeats and Afro R&B with a gentle confidence—soulful guitar riffs tracing soft arcs, a catchy 808 bassline moving like a pulse under…