With Danish Artist Alexander Grandjean, “No Words” Are Needed To Speak | Ft. Maenad
The latest single "No Words" by Danish artist Alexander Grandjean, with a guest spot for the enigmatic Maenad, is a track that transports you into a dreamy universe. Indeed, the production has a peculiar R&B texture - both infectious and melancholic - that puts you under the yoke of sensual dance moves. Alexandre's velvety and captivating vocal tone probably has something to do with it. In fact, the very idea of the song paints a picture of communication solely based on the body's motion. The artist explains it saying:
“I was visiting family in Oregon and at the airport, this Spanish guitar caught my ear, so I went to the guy and asked what song he was playing. He said he was just improvising, and I asked him to play it again so I could record it. His name is Jason Okamoto and the recording you hear in the intro of the song is the recording from the airport.”
This song is a true poetic masterpiece. Tune into it below.
FEATURED AS COVER ON RAW DISCOVERY | SPOTIFY PLAYLIST
TRENDING NOW
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
A breakup rarely detonates; it more often erodes—daily, quietly, and with an almost administrative cruelty. Matt Burke captures that slow collapse on Blowing Up In Slow Motion, a folk-acoustic single that takes his earlier stripped version and rebuilds…
Memory’s funny like that: it doesn’t replay the person, it replays the version of you who stood there, pretending you didn’t care. Jade Hilton comes back after nearly a year away with Carolina Blue, a chill alt-pop single that keeps the emotions…
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…