The Weeknd Unveils ‘Hurry Up Tomorrow’: A Climactic Chapter in His Musical Evolution
Canadian R&B titan The Weeknd has officially dropped his latest album, Hurry Up Tomorrow (XO/Republic), marking what could be the final chapter of his acclaimed trilogy that began with After Hours (2020) and continued with Dawn FM (2022). This release arrives amid speculation that Abel Tesfaye may soon be stepping away from his The Weeknd persona—an idea he has subtly teased in recent interviews.
Originally set for release on January 24, Hurry Up Tomorrow was delayed as a gesture of respect for those impacted by the devastating wildfires in Los Angeles. The unfortunate circumstances also led to the cancellation of what was meant to be a grand album-release event at the Rose Bowl in Pasadena.
The project features an eclectic mix of collaborations, showcasing The Weeknd’s ability to seamlessly blend genres and eras. Guest appearances include Playboi Carti, Anitta, Lana Del Rey, Future, Travis Scott, Florence and the Machine, Justice, and Giorgio Moroder—a lineup that bridges electronic, R&B, and alternative influences. While early singles like “Timeless” and “São Paulo” made the cut, the previously teased “Dancing in the Flames” is noticeably absent from the tracklist.
As The Weeknd continues to evolve, Hurry Up Tomorrow may serve as both a culmination and a transition, leaving fans wondering what’s next for one of music’s most enigmatic and boundary-pushing artists.
TRENDING NOW
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
A breakup rarely detonates; it more often erodes—daily, quietly, and with an almost administrative cruelty. Matt Burke captures that slow collapse on Blowing Up In Slow Motion, a folk-acoustic single that takes his earlier stripped version and rebuilds…
David Cloyd avoids treating momentum like a given, which is why the latest EP “Cage of Water (Remixes)” lands with purpose rather than polish-for-polish’s-sake. After the long-gap return of Red Sky Warning via…