PREMIERE: New York Artist CRÈME Reintroduces "Above Ground" Via Texas Drew's Remix
ABOUT CREME
CRÈME is the brainchild of Trixie Reiss, former collaborator with legendary electronic act The Crystal Method. Reiss now returns with new music as CRÈME, entirely written, produced and performed by herself: a genuine solo affair.
Raised in NYC by two poets, she was consumed by art and music, but particularly fascinated by divergence married to pop melody within the expanding artistry of electronic music. The music, imagery and art produced as CRÈME is a result of this ongoing obsession.
Through a charismatic remix orchestrated by producer Texas Drew, CREME reintroduces her marvelous single “Above Ground”. If you fell in love with the original version, know that this new version is a whole new musical perspective that you probably will adore as well. Not only the concept is more oriented on a more future bass music style but also the polished production sounds like a whole new song. Indeed, CRÈME’s vocal performance blends well inside Texas Drew’s electronic composition. We definitely think that both artists should collaborate on another song because they synch well. Stream below.
Spotify
TRENDING NOW
Molly Valentine’s “Mannequin” arrives with the kind of debut confidence that feels fully imagined rather than merely promising. The UK artist introduces herself through a piece of alt-pop theatre that is lush, dark, and emotionally poised, balancing…
Kiki Rowe’s “Fool” lands with the kind of smooth confidence that doesn’t need to raise its voice to be heard. The Mississauga native has been building a reputation as a true double threat—equally comfortable shaping a song from the writing…
Alva Lys’ “Dancing with my Shadow” moves the way late-night thoughts do—soft around the edges, but strangely precise in how they land. Framed as alternative pop with a laidback pulse, the single carries…
Bor Luos turns a deeply personal idea into something warmly universal on “PARADOX,” a single that balances laidback charm with genuine emotional weight. Blending alternative pop and indie R&B, the track moves with an easy, feel-good…
A midnight engine does not roar; it purrs, hypnotizes, and persuades the road to disappear beneath it. That is the strange, nocturnal magic Adam Bogdan brings to “Omega Soul EP,” a project that moves with the confidence of underground dance…
Soul Filter’s “Letters To Myself” is the kind of single that wears its vulnerability plainly and turns that honesty into its strongest feature. Coming out of Summerside, PEI, the band leans into a familiar late-90s alternative spirit while giving it a cleaner…
Certain songs earn their strength not by raising their voice, but by refusing to bend beneath disappointment. Georgie Najar’s “Whatever” carries that kind of quiet resolve, arriving as a laid-back blend of folk pop and alt-pop that turns private frustration into something coolly self-possessed. The New York singer-songwriter has built….
Hope often arrives with less fanfare than despair, yet it can sound far more persuasive when carried by conviction. Matt Hansen’s “Vision” leans into that idea with an energised blend of folk pop and adult contemporary clarity, offering a song that…
Mista-Ree, J.O.Y., and Cherry Blaster come together on “Blue Avenue Pt. II” with the kind of chemistry that makes a groove feel instantly lived-in. Framed by alternative funk and disco-R&B, the track leans into movement without sacrificing polish…
CONNECT WITH US
A cracked bell can still summon the whole village; its beauty simply arrives with a bruise in the tone. David Hobbes’ “Tomorrow Man (EP)” kind of carries that same lived-in resonance — not immaculate, not overly perfumed, but strangely persuasive because of its imperfections…