Esmée Denters’ New Exhilarating Track “Love Me The Same”
Dutch artist Esmée Denters releases her sensational new single “Love Me The Same.” This new single is part of her three single project called, “Past, Present, Future”. Each song reflects on her romantic relationship. The lyrics express her deep seated questions regarding love and how her partner would feel under theoretical conditions such as, “Would you still think I’m beautiful when we’re old and grey?” The lyrics reflect on relatable thoughts many us perhaps have at one time or another asked ourselves about in our relationships. Esmée states her intentions behind the creativity of the song saying,
“We all go through hard times. We say things we don’t mean. So the song is about wanting your other half to love and accept you for who you are with all of your flaws, no matter what might come our way in the future.”
Esmée has appeared on The Voice UK in 2015, and has toured the world with Neyo, Enrique Iglesias and Justin Timberlake. Her enchanting music has over millions of streams, including over 140 million viewers on her YouTube channel where she first became recognized publicly and known for her singing clips.
TRENDING NOW
A roof leaks from the inside first; by that law of damage and repair, Khi Infinite’s new single “HOUSE” reads like both confession and renovation permit. The Virginia native, fresh from a high-water…
Heartbreak teaches a sly etiquette: walk softly, speak plainly, and keep your ribs untangled. By that code, Ghanaian-Norwegian artist Akuvi turns “Let Me Know” into a velvet checkpoint, a chill Alternative/Indie R&B…
Call it velvet jet-lag: Michael O.’s “Lagos 2 London” taxis down the runway with a grin, a postcard of swagger written in guitar ink and pad-soft gradients. The groove is unhurried yet assured…
A Lagos evening teaches patience: traffic hums, neon blooms, and Calliemajik’s “No Way” settles over the city like warm rainfall. Producer-turned-troubadour, the Nigerian architect behind Magixx and Ayra Star’s “Love don’t cost a dime (Re-up)” now courts intimacy with quieter bravado…
Unspoken rule of Saturday nights: change your type, change the weather; on “Pretty Boys,” Diana Vickers tests that meteorology with a convertible grin and a sharpened tongue. Following the sherbet-bright comeback…
A good record behaves like weather: it arrives, it lingers, and it quietly teaches you what to wear. Sloe Paul — Searching / Finding is exactly that kind of climate—nine days of pop-weather calibrated for the slow slide into autumn…
There’s a superstition that moths trust the porch light more than the moon; Meredith Adelaide’s “To Believe I’m the Sun” wonders what happens when that porch light is your own chest, humming. Across eight pieces of Indie Folk and Soft Pop parsimony…
Every scar keeps time like a metronome; on Chris Rusin’s Songs From A Secret Room, that pulse becomes melody—ten pieces of Indie Folk/Americana rendered with candlelight patience and front-porch candor. The Colorado songwriter, now three years…
Cold seasons teach a quiet grammar: to stay, to breathe, to bear the weather. Laura Lucas’s latest single “Let The Winter Have Me,” arriving through Nettwerk, alongside her album “There’s a Place I Go,” treats that grammar as a vow…
A campfire flickers on the prairie while the city votes to forget—rrunnerrss, the eponymous debut by the Austin-born band rrunnerrss led by award-winning songwriter and composer Michael Zapruder, arrives as both shelter and flare…