Casey Sana Takes us To His Childhood With New Single "Cardboard Spaceships"
The American artist Casey Sana highlights his bilingualism through his latest single " Cardboard Spaceships ", which is a beautiful indie pop composition with a Retro character. Indeed, the track draws inspiration from the pop rhythm of the 2000s while keeping a modern texture.
Moreover, the lyrical context of the song explores the nostalgia of simple and casual moments of childhood. Note that the jovial style of the production structure is not done at random, as Casey cultivated the intention to offer his audience a production that is light, jovial and catchy at the same time. Moreover, Casey explains it in his own words.
“2020 was a pretty dark year by all accounts, so I wanted to kick the new year off with a light hearted, fun and uplifting song that people can get lost in. It’s easy to get bogged down in the darkness that seems to be ever-present in our modern world, but I think it’s super important to remember that there are still amazing and wonderful things to be grateful for too. I’m looking forward to reminding fans of this message throughout this year and beyond!”
Stream below.
TRENDING NOW
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
A breakup rarely detonates; it more often erodes—daily, quietly, and with an almost administrative cruelty. Matt Burke captures that slow collapse on Blowing Up In Slow Motion, a folk-acoustic single that takes his earlier stripped version and rebuilds…
Memory’s funny like that: it doesn’t replay the person, it replays the version of you who stood there, pretending you didn’t care. Jade Hilton comes back after nearly a year away with Carolina Blue, a chill alt-pop single that keeps the emotions…
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…