Reimagining Rhythms: The Remix Factory's “Hips Don't Lie” Redefines Musical Legacies

 

From the verdant isles of the United Kingdom to the spirited rhythms of Venezuela, music finds a universal language, echoing the soul's unspoken desires and memories. Enter the stellar collaboration of The Remix Factory, Anjii Cii, Angelo Flow, and the iconic Fatman Scoop. Their latest sonic creation, "Hips Don't Lie," is a phoenix, reborn from Shakira's timeless hit and transformed into an auditory journey tailor-made for summer escapades to Ibiza. The collaboration is a symphonic alchemy, blending eras and genres into a harmonious medley. One can't help but be whisked away by the 90s style house production, paired with Fatman Scoop's unmistakable timbre that harks back to the halcyon days of R&B. Furthermore, the sultry blend of Spanish and English from Angelo Flow, juxtaposed with Anjii Cii's lustrous vocal hues, creates a magnetic soundscape.

Visually, the journey is no less captivating. The footage captures our stellar ensemble in the midst of Malta's vibrant nightlife. It's more than mere entertainment; it's an invitation to live the rhythm, the beat, and the very pulse of the night. The Remix Factory, with Delakwiz's eclectic influences and Don Dante's rich experience, reveals the behind-the-scenes magic. To think it took them two painstaking months to craft the song's resounding opening note is a testament to their commitment to auditory perfection. As the track plays, one can envision Fatman Scoop's dynamism, the myriad of stems he contributed, and the seamless integration of Anjii and Angelo's vocals. As the song crescendos, listeners are ensnared in its allure, proving that The Remix Factory isn't just about reviving beats—it's about reshaping legacies, one note at a time.

FEATURED

Featured
Tamar Berk trades romantic varnish for grown-up clarity on “Indiesleaze 2005”
Tamar Berk trades romantic varnish for grown-up clarity on “Indiesleaze 2005”

Cigarette ash and camera-flash memory conspire like mischievous archivists, and Tamar Berk has released “Indiesleaze 2005” as their newest artifact of that feral mid-2000s frequency—half glitter, half bruise. The track moves with a mid-tempo confidence that never hurries…

Savanna Leigh turns denial into a mid-tempo alt-pop confession on Her New Single “Nothing Yet.”
Savanna Leigh turns denial into a mid-tempo alt-pop confession on Her New Single “Nothing Yet.”

From time to time, a song feels like a screenshot of bad decisions you haven’t made yet; for Savanna Leigh, “Nothing Yet” is that prophetic snapshot. Built on soft, chiming piano and a mid-tempo alt-pop pulse, the track begins with her raspy voice…

Danish singer CECILIE turns goodbye into a slow-burning spiritual on New Single “Før Du Går,”
Danish singer CECILIE turns goodbye into a slow-burning spiritual on New Single “Før Du Går,”

A dusk-coloured confession drifts out of Denmark and echoes through Lisbon’s old streets; “Før Du Går” finds CECILIE turning a goodbye into a slow-burning spiritual. Rooted in acoustic pop and alt-folk, the song opens bare: soft, cyclical guitar figures cradle her soulful…

Alexa Kate opens her diary on “Forever,” a mid-tempo, indie-folk-kissed pop confession that treats time as a loop.
Alexa Kate opens her diary on “Forever,” a mid-tempo, indie-folk-kissed pop confession that treats time as a loop.

Every year has one song that feels like a diary left open on the kitchen table; for Alexa Kate, “Forever” is that unguarded page. Over mid-tempo, indie-folk-kissed acoustic pop, she dissects time…

Hayden Calnin bottles the coast-before-dawn hush on “Middle Night,” a seven-song vigil of adult-contemporary finesse
Hayden Calnin bottles the coast-before-dawn hush on “Middle Night,” a seven-song vigil of adult-contemporary finesse

Midnight is that strange hour when the sky feels half-closed, and Hayden Calnin’s Middle Night sounds like the diary you write there. Recorded in his coastal studio, this seven-song cycle of adult contemporary, alt-pop and indie folk lingers in the quiet…

Nada UV turns groove into critique on “Ideas Won’t Behave,” a three-song manifesto against caging creativity.
Nada UV turns groove into critique on “Ideas Won’t Behave,” a three-song manifesto against caging creativity.

Every copyright lawyer’s worst nightmare might sound a lot like Nada UV’s Ideas Won’t Behave—three tracks of neo-soul and indie R&B that treat intellectual property as a cosmic joke rather than…

Giuseppe Cucé weighs memory, desire, and regret on “21 Grammi,” a Sicilian indie-pop diary staged as cinema.
Giuseppe Cucé weighs memory, desire, and regret on “21 Grammi,” a Sicilian indie-pop diary staged as cinema.

They say the soul weighs twenty-one grams; Giuseppe Cucé answers by asking how much memory, desire, and regret weigh when they start singing. 21 Grammi is his response—a nine-song indie-pop cycle that treats that old myth not as a scientific claim…

Drew Schueler steps forward with “I Thought By Now,” a modern hymn for anyone whose timeline slipped the script.
Drew Schueler steps forward with “I Thought By Now,” a modern hymn for anyone whose timeline slipped the script.

Every quarter-life crisis deserves its own hymn, and Drew Schueler’s “I Thought By Now” arrives like a confession whispered over blue light and unpaid dreams. The title track from his EP Vulnerable For Once turns the myth of linear success…

Brando turns late-night longing into a quiet mantra on New Single “When You Stay.”
Brando turns late-night longing into a quiet mantra on New Single “When You Stay.”

It’s a common knowledge that every lost summer has a soundtrack, and Brando’s “When You Stay” volunteers itself as the quiet anthem for the moments you replay in your head long…

ILUKA braids tenderness and fury on "the wild, the innocent, & the raging," where circuitry meets campfire.
ILUKA braids tenderness and fury on "the wild, the innocent, & the raging," where circuitry meets campfire.

Every revolution needs a bar jukebox, a desert highway, and a girl who refuses to shut up. ILUKA’s the wild, the innocent, & the raging album arrives as exactly that: a neon-lit road movie of an album where witchy cowgirls, runaway girls and manic pixie…

SIESKI turns winter hush into a hearth on “Close,” a piano-and-cello balm for chaotic weather.
SIESKI turns winter hush into a hearth on “Close,” a piano-and-cello balm for chaotic weather.

They say winter teaches the pulse to whisper; in SIESKI’s “Close,” that whisper becomes a hearth, glowing steady as snowfall along a quiet Canadian street. Catchy piano keys chime like frost-bright porch lights, while a cello moves beneath them…

rrunnerrss plant a lighthouse at the edge with their self-titled debut, out February 6, 2026 via Howells Transmitter Records.
rrunnerrss plant a lighthouse at the edge with their self-titled debut, out February 6, 2026 via Howells Transmitter Records.

A campfire flickers on the prairie while the city votes to forget—rrunnerrss, the eponymous debut by the Austin-born band rrunnerrss led by award-winning songwriter and composer Michael Zapruder, arrives as both shelter and flare…

 

CONNECT WITH US

Stream URAPLAYLIST

MORE VIDEOS

New Video, Written By ArielGuest UserUranium waves video, uranium Waves, Video, Pop, Lie like this video, Julia michaels lie like this, The Remix Factory, Hips Dont lie, The Remix Factory hips don't lieComment