Join Laszlo Jones On A Road trip To Heaven With The Single “Save My Soul”
The artistic surgery behind the music project "Save My Soul" by Dutch artist Laszlo Jones is the kind that gets your brain racing, especially because of the video's art direction, staging a dramatic yet euphoric script. Indeed, the musical content, in itself, displays a very distinctive production, merging alternative pop with rock music sounds, while keeping a fluid and orderly structure. Laszlo, for his part, not only delivers a staggering vocal performance, blending chills and blues, but also entertains his audience with a genuine and believable act.
In fact, the story told by the visual orchestration teaches us about the deceptive appearances and self-righteous behaviours of certain individuals in our society - and often, of ourselves. In short, the visuals present a scene in which individuals are chosen for a bus ride to heaven. However, they are unaware that they are in fact on a downward spiral. And we understand better why, by looking closer at their behaviour during the trip. See for yourself in the video.
FEATURED
They say the soul weighs twenty-one grams; Giuseppe Cucé answers by asking how much memory, desire, and regret weigh when they start singing. 21 Grammi is his response—a nine-song indie-pop cycle that treats that old myth not as a scientific claim…
Old bartenders swear the sweetest cocktail always arrives with a sting; Pastels and Jessica Domingo seem to agree, bottling that exact paradox on “Sugar Lychee.” Released via Nettwerk, the collaboration between…
Sparks don’t merely fly here—they organize themselves into a beacon: Seafret has released “Signal Fire,” a Pop Rock / Electro Pop surge that feels engineered to lift a crowded chest and give it air. Serving as a…
Starlight gets re-stitched into velvet circuitry as SNACKTIME releases “God Only Knows (Beach Boys Cover)”, a re-lit classic that slips into their Contemporary R&B / Neo-Soul wardrobe without losing the original’s tender dread. The band refuses museum varnish and…
Brass-tinted thunder and velvet dissent have just been pressed into a single: Olive Jones has released “Kingdom,” a charged new offering that doubles as a flare shot from the horizon…
Pine-scented neon and tour-bus insomnia have just been distilled into song: Trip Carter has released “Green & Red,” the closing ember of his Bassman EP, and it lands like a velvet bruise you can dance with…
New calendars don’t erase old ink; they simply offer a cleaner margin where remorse can learn a different handwriting—and today Jim Gardner has released “Better Man” to write that margin in song. The Dutch-born, Berlin-based singer-songwriter…
Lightning doesn’t ask permission before it redraws the sky; it simply reveals what the dark was hiding. Estella Dawn does something similar on “You Didn’t Text Me,” a chill-yet-epic Alt Pop/Adult Contemporary cut that turns private catastrophe into high-contrast cinema…
Old lacquer cracks don’t ruin the bowl; they reveal the story—and gold can be poured into the fracture until the damage becomes design. KENTON closes his album Sweetmouth with “Let Light In,” a contemporary…
Dawn teaches a quiet doctrine: even the sea, after being bruised by night, returns to the shore with silver-lipped insistence. Lorlyn Sage seems to have borrowed that lesson for “Limitless,” a chill-yet-epic Folk Pop debut statement from a Seychelles-born…
Krazio has released “Okay!”, and it lands like a neon grin stitched onto a bruise—bright, kinetic, but quietly diagnostic. Built on modern hip-hop architecture, the track rides an assertive 808 spine while synth pads…
A moth will circle a streetlamp until dawn, not because the light is kind, but because it is magnetic—and Dead Internet, Cam Ezra’s 16-track plunge into electro-rap and cloud rap, behaves with that same hypnotic danger. Ezra’s world is lit by screens, paranoia…