I read somewhere that confidence tastes like dusk’s first sip of rosé; ASHY decants that elusive flavour into “Sweeter,” her velvet‑lined liaison with Nashville emcee Jarrod Gipson. The track…
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Old sailors swear the harbor lanterns blaze brightest when the moon averts its gaze—a paradox perfectly echoed by Rainlights’ new single “Somewhere.” Beneath this Brooklyn alias, singer-producer-engineer…
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Desert sunrises whisper that truth and change arrive first as heat, then as light—an axiom vividly proven by Ethiopian polymath Mati on his dual release “truthful improv” and “different.” The former detonates like espresso…
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Midnight confessions taste strongest when the jukebox is low and the guilt is loud. On “Alcoholic,” U.S. singer-songwriter Cole Greenwalt fractures the shot glass and lets the shards gleam beneath an upbeat folk-rock…
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Gold‑flecked dawns sometimes arrive wearing velvet headphones—such is the sensation provoked by OKARO’s new single “Like That,” a cyber‑R&B reverie transmitted straight from Stockholm’s late‑night ether…
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Legend says the city does not truly fall asleep—it just switches BPM after midnight, and it is precisely on that nocturnal frequency that Philadelphia-born producer OddKidOut unveils…
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bat zoo’s latest offering, “Lemon,” is the sort of auditory indulgence that taste like citrus at midnight — sour, slow, and strangely seductive — a slice of neo-soul soaked in alternative R&B sensibilities…
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Some songs arrive like rainfall on drought-cracked earth — not as spectacle, but as quiet, necessary benediction. Isabel Rumble’s Soften belongs precisely to that species of song: an unhurried…
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David Wimbish & The Collection’s self-titled album is like wandering through a lush botanical garden at twilight—beautifully serene yet intimately haunting, imbued with a profound sense of introspection…
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If one imagines Faust penning an epistle drenched in neon ink at midnight—heart and soul bartered but melody gained—the resulting sonic manuscript would undeniably resemble Hugo Oak’s audacious opus…
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Like an old pine’s shadow stretching across dawn-soaked snow, Chris Rusin’s “Time to Love” interrogates mortality with the disarming hush of a porch-light confession. Born in rural Kansas, tempered…
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Experiencing David Redd's sophomore album, "Love Is Everything & It Will Not Save You," feels much like standing before a vast ocean—its beauty captivating yet unmistakably tinged with an inherent melancholy…
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“There For You”, the return single from Los Angeles-based queer artist Nick Catoire, is a confessional letter left open on a nightstand, still damp from tears, addressed to the one who never truly stayed…
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Sometimes a tree teaches louder than any sermon: strike its trunk and you hear yesterday vibrating through today. Mega’s latest ballad, “Roots,” loops that arboreal wisdom into four velvet minutes, fusing…
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A raven feather drifts across a projector’s beam, casting obsidian sparks on the screen—so begins Cam Be and Neak’s “a film called black”, an album less streamed than witnessed. Though the record spins through…
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A fallen acorn can shake the soul more than a thunderclap—especially when it lands at 3 a.m. and no one is there to hear it but your memory. Ginger Winn’s Socrates operates in that liminal hour, when…
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A rain-kissed koi knows precisely when to break the pond’s mirror—just as Singer-songwriter Odelet decides when to let sound disturb silence on “Raindance”, her quietly audacious…
Read More![[EP] — Plàsi Charts a Tender Sonic Pilgrimage on "Camino", Weaving Alt-Folk Intimacy with Expansive Elegance](https://images.squarespace-cdn.com/content/v1/5aa7771212b13fa2b4ca6cb5/1752123465347-TARPV5FT0HG5LPLZK42R/plasi-ep-main-press-image-by-amanda-gylling-1749580138312.jpg)
Legend whispers that the Camino de Santiago begins the instant one steps outside the door; similarly, Plàsi’s EP Camino starts the moment its first note brushes the cochlea, inviting the listener…
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