Kaitlyn Fox builds “Sucker Punch” around the uneasy geometry of escape: roads stretch forward while memory keeps drawing the listener backward. The American artist places tender guitar riffs beneath lo-fi percussion and a yearning…
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Matthew Steven Whitaker’s “HOW IT USED TO BE” lives in that ugly middle ground where a relationship has already broken, but memory keeps pretending it hasn’t. The American artist builds the track from fingerstyle acoustic and baritone rubber-bridge guitars, cello, upright…
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