Sway with Arial Ten's Latest Single “Better Off”
In the dimly lit realm where Cupid dances to neon beats, there emerges a song that is nothing short of a serenade to the senses: "Better Off" by the ever-euphonious Arial Ten. Draped in the luxurious robes of alternative R&B, this auditory tapestry weaves itself with golden threads of dance pop, becoming an alacritous invitation to the most intimate of ballrooms. It's as if Venus herself whispered the notes into Arial Ten's ears, prompting the Toronto-based maestro to craft an opus laden with such tantalizing, velvety sonic caresses.
Each note slinks about like a silken scarf in a summer breeze, effortlessly seductive, drawing you closer until you're completely ensnared by its mellifluous embrace. The funky bassline — ah, that sly, sultry beast — wraps itself around the lithe limbs of the crisp R&B vocals, compelling even the most reticent of souls to sway in rapturous delight. One can't help but imagine an enchanted night on Toronto's cobblestone streets, under a canopy of twinkling fairy lights, dancing to this very tune. Released under the aegis of Lisbaï Musica, "Better Off" isn't merely a song; it's the ethereal potion of Aphrodite distilled into sound. Beware, dear listeners, for this is not just music; it's the very elixir of romantic nocturnal escapades. Stream below
TRENDING NOW
A roof leaks from the inside first; by that law of damage and repair, Khi Infinite’s new single “HOUSE” reads like both confession and renovation permit. The Virginia native, fresh from a high-water…
Heartbreak teaches a sly etiquette: walk softly, speak plainly, and keep your ribs untangled. By that code, Ghanaian-Norwegian artist Akuvi turns “Let Me Know” into a velvet checkpoint, a chill Alternative/Indie R&B…
Call it velvet jet-lag: Michael O.’s “Lagos 2 London” taxis down the runway with a grin, a postcard of swagger written in guitar ink and pad-soft gradients. The groove is unhurried yet assured…
A Lagos evening teaches patience: traffic hums, neon blooms, and Calliemajik’s “No Way” settles over the city like warm rainfall. Producer-turned-troubadour, the Nigerian architect behind Magixx and Ayra Star’s “Love don’t cost a dime (Re-up)” now courts intimacy with quieter bravado…
Unspoken rule of Saturday nights: change your type, change the weather; on “Pretty Boys,” Diana Vickers tests that meteorology with a convertible grin and a sharpened tongue. Following the sherbet-bright comeback…
A good record behaves like weather: it arrives, it lingers, and it quietly teaches you what to wear. Sloe Paul — Searching / Finding is exactly that kind of climate—nine days of pop-weather calibrated for the slow slide into autumn…
There’s a superstition that moths trust the porch light more than the moon; Meredith Adelaide’s “To Believe I’m the Sun” wonders what happens when that porch light is your own chest, humming. Across eight pieces of Indie Folk and Soft Pop parsimony…
Every scar keeps time like a metronome; on Chris Rusin’s Songs From A Secret Room, that pulse becomes melody—ten pieces of Indie Folk/Americana rendered with candlelight patience and front-porch candor. The Colorado songwriter, now three years…
Cold seasons teach a quiet grammar: to stay, to breathe, to bear the weather. Laura Lucas’s latest single “Let The Winter Have Me,” arriving through Nettwerk, alongside her album “There’s a Place I Go,” treats that grammar as a vow…
CONNECT WITH US
A campfire flickers on the prairie while the city votes to forget—rrunnerrss, the eponymous debut by the Austin-born band rrunnerrss led by award-winning songwriter and composer Michael Zapruder, arrives as both shelter and flare…