With His Single “Next To You,” Evan Roth Transform a Fleeting Moment into a Moody Indie-Pop Statement
Evan Roth’s new song “Next To You” plays it smart: slow, chill indie-pop that doesn’t paint heartbreak as a show— rather, it just lets it hang in the air and do its job. The melancholic electric-guitar lines are the headline, curling around the track like smoke, while the bass stays soft but groovy, keeping the sadness from sinking into sludge. The drums sit laid-back and patient, never crowding the vocal, and that’s the point: Evan’s vocal delivery is sultry and steady, more late-night confession than big chorus theatrics. He’s name-checking The 1975 and Cigarettes After Sex as reference points, and you can hear why—there’s that same glossy restraint, that “everything’s dimly lit” intimacy. Credits matter here, too: produced by Chris Kahn, mixed by Pedro Kayat, mastered by Simon Lancelot, with Jonah Feingold on guitar and bass and Santiago Ortola on drums. Everyone stays in their lane, and the lane is clean.
Lyrically, “Next To You” is built on a familiar emotional pivot—seeing someone and suddenly your whole internal system updates. The writing leans into that dizzy, almost cinematic disbelief: was this real, was it a mirage, am I actually safe enough to trust it? The hook is simple (and that’s why it sticks): the idea of being next to you repeats like a thought you can’t turn off, especially when you’re alone in your room trying to replay the moment until it makes sense. There’s also a neat little turn from being “broke” to feeling the “reverse,” a small flex of hope without acting like everything’s magically fixed. Notably, the song’s calm arrangement protects the story—no messy overproduction, no forced climax—just a controlled drift that keeps the longing believable. It’s slated for release on Friday, March 13, 2026, and it fits that date’s superstition energy: low light, high feeling, no extra noise.
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