Jess Meilman’s Song “Back in a Few” Weaves Sultry R&B with Haunting Nostalgia
Tantalizing the same plush elegance Sabrina Claudio offers so effortlessly, “Back in a Few” by American singer-songwriter Jess Meilman invites listeners into an indulgent R&B world where a velvet-lined guitar line nestles up to her sultry hum. There’s a cold undercurrent that coats each verse in a plush warmth, and a grandiosity that simmers below like a low-grade fever, indicating the emotional friction that is build into every note. The lyrical narrative of the track, grounded in the contemporary heartache of holding on to that ghost of a lover, comes off as a theatrical odyssey of grit, drama and fragile hope. Ghosts of old balladry — they echo The Carpenters’ gentle gloom — mingle effortlessly with contemporary pop-fueled harmonies, creating an aural landscape that feels at once eternal and urgently of the moment.
The repetition of “Back in a Few” is an underline of that nuanced delusion of hoping a beloved stranger will just show up again, a testament to the raw vulnerability fueling Meilman’s potent performance. At the same time, pumping, mellow strings and retro-needling keys add an additional layer of emotive depth, painting each lyric with cinematic flair. You can almost hear the crossfire of the artist’s determination and pain — the two coming together to create a composition that works at personal wavelengths. This seamless blend of cozy production, evocative songwriting and captivating vocal delivery proves that Jess Meilman is set to become a key player in the world of resonant R&B artistry.
TRENDING NOW
A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…
Neon can look like a celebration until you notice it’s flickering—still bright, still dancing, but threatening to go out between blinks. That’s the atmosphere Nique The Geek builds on “Losing You,” an upbeat contemporary R&B / pop-R&B record that smiles…
Waveendz’s “Bandz on the Side” arrives with the kind of polish that doesn’t need to announce itself. Tagged as contemporary R&B with hip-hop in its bloodstream, the single plays like a quiet victory lap…
SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
Psychic Fever from Exile Tribe waste no time on “Just Like Dat”—they let JP THE WAVY slide in first, rapping with that billboard-sized charisma before the chorus even has a chance to clear its throat. That sequencing matters: it turns the single into a moving…
Libby Ember’s “Let Me Go” lives in that quiet, bruise-colored space where a relationship isn’t exactly a relationship—more like a habit you keep feeding because the alternative is admitting you’ve been played in daylight. She frames the whole thing…
Hakim THE PHOENIX doesn’t sing on “Behind The Mask” like he’s trying to impress you—he sings like he’s trying to unclench you. That matters, because the song is basically a calm intervention for anyone trapped inside their own head…
A good late-night record doesn’t beg for attention—it just rearranges the room until your shoulders start moving on their own. Femi Jr and FAVE tap into that exact chemistry on “Focus,” a chilled Afrobeats cut laced with amapiano momentum…
A breakup rarely detonates; it more often erodes—daily, quietly, and with an almost administrative cruelty. Matt Burke captures that slow collapse on Blowing Up In Slow Motion, a folk-acoustic single that takes his earlier stripped version and rebuilds…
David Cloyd avoids treating momentum like a given, which is why the latest EP “Cage of Water (Remixes)” lands with purpose rather than polish-for-polish’s-sake. After the long-gap return of Red Sky Warning via…