A riptide doesn’t announce itself with a roar; it whispers, then tugs—softly at first—until you realize you’ve been drifting for miles. That’s the emotional physics powering Baby, Don’t Drown In The Wave, a 12-song album…
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Memory’s funny like that: it doesn’t replay the person, it replays the version of you who stood there, pretending you didn’t care. Jade Hilton comes back after nearly a year away with Carolina Blue, a chill alt-pop single that keeps the emotions…
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A moth will circle a streetlamp until dawn, not because the light is kind, but because it is magnetic—and Dead Internet, Cam Ezra’s 16-track plunge into electro-rap and cloud rap, behaves with that same hypnotic danger. Ezra’s world is lit by screens, paranoia…
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Old painters say the boldest self-portrait isn’t the one that flatters—it’s the one that refuses to blink. “Sorry, It’s All About Me EP” proves Lola Consuelos understands that principle instinctively: five songs…
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A campfire flickers on the prairie while the city votes to forget—rrunnerrss, the eponymous debut by the Austin-born band rrunnerrss led by award-winning songwriter and composer Michael Zapruder, arrives as both shelter and flare…
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A good record behaves like weather: it arrives, it lingers, and it quietly teaches you what to wear. Sloe Paul — Searching / Finding is exactly that kind of climate—nine days of pop-weather calibrated for the slow slide into autumn…
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There’s a superstition that moths trust the porch light more than the moon; Meredith Adelaide’s “To Believe I’m the Sun” wonders what happens when that porch light is your own chest, humming. Across eight pieces of Indie Folk and Soft Pop parsimony…
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Certain albums arrive like a key discovered in an old coat pocket—unexpected, familiar in the hand, and suddenly unlocking rooms you thought you’d sealed. M. Byrd’s new project ”A Better Place” is that kind of key…
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Like a lighthouse teaching the ocean to breathe, Avivie’s Atmos arrives as a self-titled statement of intent: dance music that meditates, meditation that moves. The four-song electronic set locates a rare balance between pulse and pause, sculpted…
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Canadian polymath Vivek Mehmi releases “The Pressure Rise,” the opener of his EP project “Relation Ships Pt. 1” that sketches its epilogue. Indie-pop shimmer meets pop-rap snap as retro 80s synths and crisp contemporary drums braid flirty verses to a velveteen…
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A ribbon of tape flickers, the band exhales, and Chris Portka has unveiled “The Album Everyone Wants”—a title that winks while the music simply delivers. The U.S. songwriter’s most collaborative statement to date, this full-band set (eleven songs recorded at NYC’s Sear Sound…
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Like a disco comet streaking across an L.A. midnight, SOZI has released her EP “DREAM,” a four-song reverie that turns the glamour of summer into philosophy you can dance to. The Los Angeles singer-songwriter…
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Sparks fly the moment CAR287 release their debut, “Looking Through the Lens,” a record that remembers, argues, laughs, and stitches prairie weather into melody. The Winnipeg quartet—Jay Yarmey (vocals, acoustic guitar), Travis “Trabs” Wog (lead guitar, vocals)…
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Frost on a practice-room window writes better poetry than most diaries; Nabil Muquit has released his song “Augustina,” an instrumental postcard that smells faintly of winter and tape. The piece, born at a lonely piano…
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Clocks keep the minutes; the sky keeps the meaning. Ian Ewing’s EP “In the Sky” treats that axiom like a compass, a chillhop/lo-fi suite that feels both handmade and celestial—beatcraft as a form of stargazing. A self-taught…
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A second sunrise always throws kinder light: with his album “I’m Still Standing,” Frankie Muriel tilts the day anew, and his reimagined “If I Say” arrives like warm bourbon poured over cracked ice—Americana steady, Country-bred, and unhurried. The project’s premise…
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Mexican artist Paulina Chow releases “Blue,” an indie-folk confession from Mexico that hushes the room before it speaks. The project’s name sets the temperature; the mood is chill but lucid, like ocean light slipping under a closed door…
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Steph Wall dropped “Start Your Engines,” a flirt‐curious glide of indie R&B and neo-soul that doubles as the third and final single ushering in her EP “TANG!”. Like a midnight test-drive down an empty…
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