SamTRax comes through with “Still,” a contemporary R&B cut that moves like it’s exhaling—steady, warm, and quietly stubborn. The Haitian American producer has been stacking credibility through collaborations with names such…
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Joy is a muscle, and Starwolf are clearly in the gym on “Dance With You,” a disco-electro dance single that swings its elbows wide and dares the room not to move. The track lands with that classic 80s/90s “music-in-full-color” energy…
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Old bartenders swear the sweetest cocktail always arrives with a sting; Pastels and Jessica Domingo seem to agree, bottling that exact paradox on “Sugar Lychee.” Released via Nettwerk, the collaboration between…
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Pine-scented neon and tour-bus insomnia have just been distilled into song: Trip Carter has released “Green & Red,” the closing ember of his Bassman EP, and it lands like a velvet bruise you can dance with…
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Krazio has released “Okay!”, and it lands like a neon grin stitched onto a bruise—bright, kinetic, but quietly diagnostic. Built on modern hip-hop architecture, the track rides an assertive 808 spine while synth pads…
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A cabin proverb says the truest warmth arrives without a match being struck, and Sasha & The Bear build their second single around that sly wisdom. “No Fire No Promises,” written and recorded in a small cabin in the…
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From time to time, a song feels like a screenshot of bad decisions you haven’t made yet; for Savanna Leigh, “Nothing Yet” is that prophetic snapshot. Built on soft, chiming piano and a mid-tempo alt-pop pulse, the track begins with her raspy voice…
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Every year has one song that feels like a diary left open on the kitchen table; for Alexa Kate, “Forever” is that unguarded page. Over mid-tempo, indie-folk-kissed acoustic pop, she dissects time…
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Heartbreak teaches a sly etiquette: walk softly, speak plainly, and keep your ribs untangled. By that code, Ghanaian-Norwegian artist Akuvi turns “Let Me Know” into a velvet checkpoint, a chill Alternative/Indie R&B…
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Call it velvet jet-lag: Michael O.’s “Lagos 2 London” taxis down the runway with a grin, a postcard of swagger written in guitar ink and pad-soft gradients. The groove is unhurried yet assured…
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A Lagos evening teaches patience: traffic hums, neon blooms, and Calliemajik’s “No Way” settles over the city like warm rainfall. Producer-turned-troubadour, the Nigerian architect behind Magixx and Ayra Star’s “Love don’t cost a dime (Re-up)” now courts intimacy with quieter bravado…
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Old cartographers wrote “Here be dragons” at the map’s edges; Bre Kennedy plants her lighthouse there with “Looking For,” a mid-tempo alt-pop glow destined for late drives and tidy epiphanies. The New Nashville storyteller releases a song…
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Old philosophers say the hardest person to be honest with is your own reflection; on PURE ILLUSION, Jhon Allan basically locks himself in a Stockholm apartment and refuses to look away from the mirror. The Swedish-Peruvian…
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Consider this a stand-up routine with 808s—ANTH has released “I hate You,” a pop-rap missile that detonates with grin-and-grimace energy, featuring Corey Nyell — on the Hook. The U.S. rapper leans into an…
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Brittany Campbell has released “Creep With Me,” a dark, mid-tempo R&B incantation that slides like silk through moonlit rooms. Co-produced with Aaron Day and Dayloop, the track is cast in 6/8—Scorpio-season time—where soft synths glow…
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UK singer-songwriter Billy Reekie released “Easier,” a mid-tempo pop-rock/indie-pop ballad that turns private grief into widescreen cinema. He builds an immersive, narrative coil: dynamic guitars…
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Picture a late tram gliding past the Amsterdam canals, its windows fogging while strangers trade brave hopes; that’s the feeling Secret Rendezvous bottle on “In Between Dreams,” a record about choosing joy after turbulence and learning…
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